Hugo Stuven Casasnovas

Toledo, Spain, 1997. The residents of Río Blanco have accepted the settlement of Moroccan seasonal workers in Fuensanta. Coexistence brings tensions, known by Sonia, an NGO leader; Father Ángel, the local priest; and Safir, the imam. What they don't imagine is that Fuensanta's foundations hide something capable of unleashing their worst nightmares, regardless of their beliefs or prayers.

After falling off a cliff and suffering substantial injures, for 48 long hours a young surfer must face a merciless nature and his own physical and mental agony to try to survive.

A young schizophrenic who felt threatened by a presence he was unable to define turns up gruesomely dead in his bathtub

A young journalist has to spend a night in Barcelona's Wax Museum to investigate paranormal activities. He has no idea Dr. Knox, an insane cannibal surgeon, hides in the museum at night.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

The story of how the Guardia Civil, a militarized police force, fought for nearly half a century against ETA, a ruthless terrorist gang dedicated to murder, kidnapping, extortion and arms and drug smuggling while cynically demanding independence for the Basque Country in northern Spain.

No description available.

The story of the late great master of golf Severiano Ballesteros, told by his brothers and contemporary players.