Luiz Inácio Lula da Silva

The Sanremo Music Festival is the most popular Italian song contest and awards, held annually in the town of Sanremo, Imperia, Italy, and consisting of a competition amongst previously unreleased songs. The Festival was the inspiration for the Eurovision Song Contest.

Debate, opinions and controversial matters under the look of Daniel Matamala.

The remarkable rise of one of the world’s most controversial leaders, Jair Bolsonaro, from obscurity to the presidency of Brazil.

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In 1982, a young Lula embarks on a campaign trip to Recife where intimate moments from the leader’s trip are captured on Super 8. THE VISIT was resurrected from original archival Super 8 footage from 1982 and edited over 42 years later to create a short film that offers a unique glimpse into the early political life of future Brazilian president Luiz Inácio da Silva as he engages with party colleagues and passionate activists in an effort to strengthen their party against the military dictatorship.

An intimate and revelatory portrait of one of the world’s most influential political figures, Lula explores the rise, fall and triumphant return of beloved Brazilian leader Luiz Inácio “Lula” da Silva, chronicling his extraordinary journey in 2022 to regain the Brazilian presidency after spending nineteen months in prison.

A documentary about the 1979 workers strike.

Through deep examination, this documentary from Oscar nominee Petra Costa explores the profound impact of evangelism on Brazil's political landscape.

Programa do Jô is a Brazilian late-night talk show broadcast by Rede Globo since April 3, 2000. It is shown after the late-night news bulletin, Jornal da Globo. The program is hosted by Brazilian comedian, author and musician Jô Soares, and follows the format of American talk shows such as Late Show with David Letterman. It began its life as Jô Soares Onze e Meia in 1988 on SBT. Following Jô Soares' return to Globo in 2000, the show was renamed as Programa do Jô, retaining the same format and late-night time slot. The show usually features interviews with 3 guests and a live musical performance. Usually, if one of the guests is a musician or band, they return to perform at the end of the show. There are also occasions when the first guest stays on to continue the interview past the first commercial break, in which case the show only features 2 interviews. In most cases, the interviews are longer and more in-depth than those on Letterman's show.

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Reporter Joaquim de Carvalho reconstructs the 580 days of Lula's unjust imprisonment, with exclusive testimonials from those who closely followed the former president's day-to-day life from the concentration at the ABC Metallurgical Union, the presentation to the Federal Police, the flight to Curitiba, prison until release. Documentary shows unprecedented backstage. The direction is by Joaquim de Carvalho and Patri Salgado, with images by Eric Monteiro and photography by Ricardo Stuckert and Vigília Lula Livre.

Considered for a few years the “country of the future”, Brazil has seen since 2013 a deep disenchantment between the middle and popular classes that culminated with the rise of Jair Bolsonaro to the Presidency in 2018. Enchanted portrays this recent Brazilian history from a homonymous neighborhood of the Rio suburb transfigured by the 2016 Olympics. From Rio to Paris, a political and poetic testimony of Brazil through the eyes of the first generation of the popular class to study abroad.

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The rise and fall of Fernando Collor de Mello, Brazil's youngest president and the first president in the Americas to be impeached.

What is a travesti?

After the coup of 1964, the media conglomerate Diários Associados organized a campaign called "Gold for Brazil," exhorting the people to donate wealth to the military government. The symbol of the campaign was the wedding ring, sealing the union between the people and the State. The film picks up the trail of the millions collected, but never channeled back into society.

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A series of documentaries about Brazilian presidential elections.

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In the late seventies, a group of Brazilian documentary filmmakers traveled to the ABC region in the suburbs of São Paulo with the purpose of recording a wave of worker strikes taking place in response to the negligence of the increasingly powerful and abusive automotive industry. Documenting striking women metal workers, Olga Futemma and Renato Tapajós’ Trabalhadoras Metalúrgicas is a particularly vigorous work among the films produced during this moment in São Paulo worker history. Scenes filmed during the first Congress of Metallurgical Women of São Bernardo and Diadema in 1978 are intercut with images documenting the appalling working conditions against which the women featured in the congress were striking.