Lucinda Armstrong Hall

Neighbours is an Australian television soap opera. The show's storylines concern the domestic and professional lives of the people who live and work in Erinsborough, a fictional suburb of Melbourne, Victoria. The series primarily centres around the residents of Ramsay Street, a short cul-de-sac, and its neighbouring areas, the Lassiters complex, which includes a bar, hotel, cafe, news office and park. Neighbours began with three families created by Watson – the Ramsays, the Robinsons and the Clarkes. Watson said that he wanted to show three families who are friends living in a small street. The Robinsons and the Ramsays had a long history and were involved in an ongoing rivalry.

Predestination chronicles the life of a Temporal Agent sent on an intricate series of time-travel journeys designed to prevent future killers from committing their crimes. Now, on his final assignment, the Agent must stop the one criminal that has eluded him throughout time and prevent a devastating attack in which thousands of lives will be lost.

Shayda, a young Iranian woman living in Australia, finds refuge in a women’s shelter with her 6-year-old daughter, Mona. Having fled her husband, Hossein, and filed for divorce, Shayda struggles to maintain normalcy for Mona. Buoyed by the approach of Nowruz, she tries to forge a fresh start with new and unfettered freedoms. But when a judge grants Hossein visitation rights, he reenters their life, stoking Shayda’s fear that he’ll attempt to take Mona back to Iran.

During a hot and hazy summertime in northern Ontario, 13-year-old Bea wants a best friend more than anything else, but when she meets boisterous Kate, she gets more than she imagined. A story of bravery, small-town summer love, and the secret world of girls.

When a pop-star cousin comes to stay, a family's once normal life changes drastically.

The Other Side of Porcupine Lake follows Ingrid Veninger as she makes her sixth feature film, Porcupine Lake. From writing and casting through production and post, this documentary utilizes an observational style to reveal the intimate process of making an original female-driven feature film