Hervé Le Roux

Fanfan leaves his friend Charles and thinks he can be accommodated by his friend, Joss. However, at the same time, Joss abandons the marital home. Fanfan and Joss have only to knock on the door of Manu, Fanfan's sister, who gathers them until Mytch, Manu's companion, throws everyone out. The three young women find themselves in the street and continue their run, while their lovers gang up to track them down. The mini-war of the sexes will flare up.

This affectionate little drama captures the last summer before graduation, when these assorted film students and drama students must leave the protected world of college and venture out into the chaotic currents of everyday life. Each student has his own style and character - often chosen for maximum dramatic impact. For instance, Paul is permanently gloomy, and mopes around, invariably wearing a long coat. The others make fun of him, because he is so serious. Charly loyally helps a male friend of hers rid himself of the insistent attentions of a former girlfriend. Caroline is the romantic one of the bunch, and her adventures along those lines keep her fully occupied. Several of them insist that they will not compromise the purity of their cinematic and theatrical aspirations for mere monetary comfort, but when Luc and Nanou find that Nanou is pregnant, they reconsider their absolutist stance.

A radical film that is at once a scathing questioning of cinema, a fierce attack against ideological sclerosis, an obvious model of total science fiction.

Hervé Le Roux discovered a short film about a strike in a battery factory. Now he's looking for one of the workers seen in this film: a young woman who is very, very angry.

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