Stasys Baltakis

Legendary film actor Juozas Budraitis turns 85. Over his career, he has appeared in more than 120 films not only in Eastern and Central Europe but also in Switzerland and Italy. Film sets brought him close friendships and moments of joyful creativity. Yet today, many of his colleagues are gone, and the actor is increasingly visited by the regret of unfinished work. The Old Man’s Journey is shaped not by the structure of a traditional biographical film but by the fragmentary nature of memory. The roles he has embodied remain etched in his recollection no less vividly than the key events of his life, and so the film guides the viewer between Budraitis’s youthful memories and his most significant cinematic experiences, weaving them into a single, nostalgic stream of remembrance.

In a Russian-occupied town in southeastern Ukraine, where burying the dead has been forbidden, the church of a young priest, Andriy, has been turned into a morgue for executed Ukrainian civilians. As the occupation tightens its grip, Andriy quietly begins to resist, secretly returning the bodies to their families at great personal risk. Along the way, he forms an unexpected bond with Makarov, an 11-year-old boy who becomes the silent witness to his rebellion.

Does air temperature really matter for fountains to be frozen or melt? One just need to stop and look around... It's a mosaic of several interrelated characters in search of their own happiness. It's about hopes and disapointments, betrayal and forgivness... and of course it's all about love...

Former KGB agent finds out that his mother in law has hidden her treasures in one of chairs. Fast after he starts the search of diamonds and meets an aggressive modern man who helps him in his endeavors all over the place in nowadays Lithuania. Two very different men are united in their mutual desire to get rich.

To win back his ex-girlfriend, a conservative banker enlists the help of an exotic dancer to guide him on a quest for sexual experience, leading him into a world of strip clubs, sensual massage parlors, cross-dressing and S and M. Finally the two fall in love and start a relationship to go back from London to Lithuania to start a new life.

Watchmaker stumbles into a mysterious cinema and is enraptured by the sight of movie star Lisa sleeping on the screen. His life changes. A girl he meets in the cinema begins leading him through the strange world of cinematic dreams.

It’s a real challenge to get into the girls dormitory. You have to be careful, you have to be silent, nobody can notice you. Ben and Vega are sixteen years old. Ben and Vega are in love. Ben comes to Vega. Vega is waiting for Ben. You know the rest.

Marius, a successful but unhappy husband, and his brother Jovitas, a feckless failure scorned by his wife Nomeda, who just so happens to be Marius’s longtime mistress—plan to confess Nomeda’s pregnancy by Marius at Christmas dinner. Their scheme unravels when their father Kazimieras shocks everyone by announcing his own divorce after fifty years, fearing his wife Alma has been unfaithful.

A corrupt politician tries to get some decency points by marrying his beloved daughter to a simple farm guy.

A young couple's love is tested by the weight of illness and their own limitations. When Marius, who lives in denial of his diabetes, suffers a life-threatening hypoglycemic episode, Ina embarks on a frantic search for glucose.

Four people have lived for many years in a small apartment. Their hearts remain young, but their minds, clouded by time and a sad, perpetually drunken fate, no longer function clearly and cannot think straight.

Kaunas, Lithuania, 1941, Lithuanian activist Andrius Gluosnis kills a Jew Isaac in Lietukio garage massacre. Years after the incident Gluosnis is haunted by the guilt.

Unknown by us, live small, interesting creatures - babauziukai. Each one of them - just like people - are unique and interesting.

Is anything changing in life when in a film your characters death, mourning the loss of beloved one - parents, children is played? In Life After Death, this question is posed in different forms to three generations of actors.

In Lithuania, two investigative journalists work segregated from others in an isolated office as if in a cabinet. This cabinet is the only location in the film. It seems that they are in the cabinet, like they are closed, separated from others, even from the other journalists. It’s a slow and minimalistic film. It’s not a film about one specific journalistic research; this film presents a monotonous and nervous atmosphere in this cabinet. The boundaries between truth and falsehood begin to overlap, journalists experience the betrayal of a colleague, the office becomes sweltering and unpleasant.