Natalya Ryazantseva

Former fighter pilot turned provincial schoolmistress Nadezhda Petrovna struggles to adapt to peacetime, having internalised military ideals of service and obedience.

The events of several days spent by the married couple - artist Pavel Alekseevich and his wife Nina - in a small country boarding house. For him, this is an opportunity to collect his thoughts and finally, after many years, write a new picture. The usual life of vacationers is mushroom hikes, boat trips, a costume ball, if not for Nina’s attraction for another man...

A successful doctor is visited by her old friend, a famous writer. They used to be close, but their friendship ended when they both fell in love with the same man. At first, their reunion seems to be going well, but as they talk, their old grudges and resentments resurface and threaten to ruin their renewed connection.

A single mother is confused by the changes in her teenage son, who has become distant since spending summer vacation with his father.

Zina is sixteen. She is a manipulative schoolgirl living in a small Russian town among sincere and simple people. Zina is nice on the surface, but so unable to enjoy normal life, that she is desperately trying to hurt someone. She tries to seduce and compromise a handsome young man, but he is smart enough to see through her and escapes from her trap. Zina manipulates her classmates so she looks like a victim. Now Zina's teacher, Vera, a sweet and loving lady, takes care of her trying to save the troubled girl, but in return, Zina becomes extremely crafty to hurt the teacher.

The protagonist of the film is a female microbiologist and inventor of penicillin. The discovery of this life-saving drug was preceded by many years of scientific research, which Dr. Lebedev conducted in his laboratory in a small provincial town at the beginning of the century... Tanya, a girl from the neighborhood, accidentally finds herself in the doctor's house, where she first encounters the mysterious world of science...

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

A merchant is living in a fairytale Russia of hundreds of years ago. When he is making a journey to market, his three daughters each ask for a present to be brought back...

Having returned from the army, 20-year-old Sergei settles down at the thermal power station and merges into ordinary life. Every day he meets and spends time with childhood friends — the young family man Slava and the merry fellow Nikolai, and once at first sight he falls in love with a stranger on the bus. A lyrical story about a generation of young people entering adulthood, a reappraisal of values, life principles, traditions in culture and art.

A high-schooler named Valentin Kuzyayev is invited to appear on a TV show about youth. When he is given a questionnaire, Valentin finds himself unable to answer the simplest questions. To sort himself out, he starts to keep a diary.

Film about the work of Ukrainian film director Kira Muratova.

The hero of the film, afraid of losing both his wife and his mistress, is ultimately left alone.

In the life of every working person, one day there comes a difficult moment associated with retirement. And if this is the head of the supply department of a large plant, to whom the heroine of the film devoted her entire life, it is doubly sad.

Gennady Shpalikov. He was 25 when he offered George Danelia a script for the future film “I walk through Moscow”. At this time, Shpalikov was already finishing the script for Ilyich's Outpost for Marlen Khutsiyev! Both of these films will be called the manifesto of the generation of the sixties, the symbols of the era called "thaw". All his life he had dreamed of “The Quay” ... This script was his favorite work. But “Berth” was never staged "..." "There is no choice in the USSR. Or you drink, or you freak out, or you are not printed. The fourth is not given.

No description available.

In the 1950s Odessa a charming woman is running an underground brothel. She's tired of the business hassles and is dreaming about having a family. Finally the destiny gives her a chance, but there's no way out.

An actress needs to dub her voice after the production of her movie has wrapped. At the same time, she is facing a life crisis that alters her plans: just released from the hospital, she realizes that her illness is more than she can emotionally handle. Overwhelmed, she has to look at the simple task of dubbing from a completely new perspective. This film had an attendance of 2.3 million in the Soviet Union when it was released.

A program made for Kultura on the life and career of Larisa Shepitko.

Program on the life and career of Larisa Shepitko was broadcast on the Russian television channel Kultura and features interviews with the director’s sister Emilia Tutina and son, Anton Klimov.

In VGIK, she was a student of the workshop of Sergei Gerasimov and Tamara Makarova, and watched Godard's "Last Breath" and thought, nothing more is needed. Everything is already there. But, in the end, without her, without her 22 films, the history of world cinema would be incomplete. In our country, her name has become one of the undisputed geniuses-Tarkovsky, Parajanov, Herman, Sokurov. The brilliant Kira Muratova looks at a person with irony, as if from a distance and from above, as if at a funny puppet theater, but her gaze is full of sympathy. It divides artists into two categories: preachers and gamblers. Of course, he considers himself one of the latter. Chance is her muse. Improvisation is a feature of the method. And what is life but improvisation? In contrast to Rene Clair with his phrase " my film is ready. It remains only to remove it", goes to the set, opening up to life, the game of chance.