Thyra Leijman-Uppström

Erik Andersson marries Brita Blomstedt. During the wedding party he drinks alcohol which he is not used to. Later that evening Erik is involved in a brawl that end with a policeman getting a knife in the back.

It's the beginning of the 1800s. A feud between the people of Ödemo and Rävgården has been going on since the dawn of time and now it's worse than ever.

A waitress finds out that her fourteen year old brother is a member of a youth gang doing burglaries in kiosks. Valdemar Jansson escapes prison and seeks out his fiancee Karin, but she does not want to know about him. She studies at the Social Institute and provides herself as a waitress in a cafe. She lives with her grandmother and her younger brother Benke. One day she discovers that Benke belongs to a boy, who makes minor burglaries in newspaper kiosks.

A police inspector tracks a notorious jewel thief, 'Diamond-Lasse,' to a hotel filled with eccentrics.

The orphan Alfred lives with two ladies in an idyllic cottage near a private golf course.

Thomas Graal's a screenwriter, is very fond of his secretary Bessie. Overtaken by a kiss by Thomas she runs away. In his misfortune Thomas writes a screenplay inspired by Bessie. But she has not been really honest with him. 31 minutes of runtime are missing and presumed lost.

Erik, Harald and Borell are fighting for Majkens heart.

Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.

Lili and her friend attends a conference, where the English suffragette Miss Spratt. Bursting with enthusiasm they form a feminist cell.

Ville Bom is the owner of a dance and boxing institute and lives a quite dissolute life.