António-Pedro Vasconcelos

In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

Every year, four ex-soldiers who call themselves "Os Imortais" ("The Immortals"), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined...

A powerful entrepreneur wants to build an exclusive resort hotel in Villanova, but he discovers the location he has in mind is protected by local land-use regulations. He hires Maria, a beautiful and elegant prostitute, to seduce the mayor, leaving him open to blackmail if he won't give the entrepreneur what he wants. Maria has no trouble twisting Meireles around her finger, but police detectives Madeira and Neves get wind of the plan and set out to expose the plot...

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A woman takes her young son, leaves her husband and moves in with her lover. The boy, desperate to get his parents back together, becomes convinced that if only he can get his father's stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one.

"The Conspiracy", a documentary series directed by António-Pedro Vasconcelos, is the result of a meticulous investigation that includes exclusive testimonies from protagonists who managed to achieve in less than 24 hours, something that many others had not achieved in 48 years. From the secret meetings to the key characters, we are shown the extraordinary conspiratorial process that began in the summer of 1973 and culminated in the early hours of April 25, 1974, with the overthrow of the Estado Novo and the conquest of freedom. The rest, as they say, is history.

The life of a young man, son of an English officer who lets himself become a prisoner of love resulting in fatalism and disgrace.

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At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity worries the State.

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.

A story about doomed love between two people from different worlds and the impact in their lives.

A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.

Cristina disappears. Tiago, her boyfriend, says that she was kidnapped, two police officers (Marco and Madalena) investigate the case and try to find the truth.

Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.

Parque Mayer was the park off all the emotions and amusements in the 1930' s. Under the dictatorship of Oliveira Salazar and his police, many people came to have fun in its theaters attending the portuguese kind of play called 'revista'. A writer called Mario Pintor (paintor) is writing a play in which a new actress (Deolinda) will star as the main role, while an already famous actor named Eduardo tries to seduce this recent arrival.

A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.

Mário and Cláudia are going through a divorce process. When Cláudia accepts job in another country, situation will lead parents to reassess many of their certainties and question the effects on the happiness of their children.

Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnation Revolution", as that period would be later known.

The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.