Andreas Köhler

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Railway-related documentary covering modern railway systems, museum railways and their facilities as well as items on model railway layouts. Politics and criticism is not left out; the series reports on closures, controversial model ideas, delays to reconstruction plans or smart commuter transport concepts.

Eva Bruhns is about to get engaged when she is asked to interpret at a trial of SS officers. Her parents and fiancé-to-be try to dissuade her, but she follows her instincts and accepts the job. She soon realizes that she has a more personal connection to the trial than she could have ever imagined.

Bonn depicts the rise of the young West Germany, a country struggling to break free from the terrors and legacies of World War II and longing for a 'normal' life. Into this heady and volatile mix steps Toni, a young woman determined to seize every opportunity, overcome every obstacle and make her own way in what is still a very male-dominated society. But what at first appears to be only an entry-level office job at one of the country's two competing secret services soon sucks her ever deeper into a clandestine world of secrets and suspicion. Based on true events.

She was a prisoner in the corset of social constraints and conventions – and at the same time she fought for a self-determined life as a woman – Lydia Welti-Escher, the daughter of politician and business leader Alfred Escher. Due to an extramarital liaison, the Swiss authorities had her committed to a psychiatric ward.

Right out of jail, Dima tries to make a new beginning in Berlin, Germany. But his past holds him back. His criminal associates continue to rely on Dima and his father wants to take his family back to their native Russia. Only the relationship with art student Nadja gives Dima hope. If only there wasn't his criminal past.

The door has been closed for many weeks. A teenager has locked himself in - shutting out a helpless father, mother and sister. In Japan, youths like him have already been given a name: Hikikomori (the secluded). The phenomenon is also beginning to spread throughout the Western world. This is all the family has been able to find out. All they can do is stand in front of the locked door and ask, beg, implore, throw tantrums, despair, accuse, ignore and hope. All the while, the door increasingly becomes a mirror of their own lives.

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A husband and wife struggle with their consciences after they try to conceal a terrible crime committed by their teenage daughter.

The gynecologist Marta lives peacefully with her son Nathan in the run-down country house of the rich journalist and system critic Roland - until the poor migrant worker Valmir is called in as a handyman and brings forgotten secrets back to light. In this visually stunning chamber drama, which is also a socio-critical family thriller, author Karin Kaçi and director Sebastian Ko relentlessly expose the sins with which the privileges of prosperity are bought - and the price that must ultimately be paid for them.

Nina and Paul's marriage is over, they are just waiting for an opportunity to teach it their son Tim. During a chance encounter, Nina flirts with Viktor, her son's hockey coach, and goes with him to his house. A decision with serious consequences because Nina is nearly raped, defends herself and kills Viktor in the process. Paul followed the two and witnesses the misfortune, what makes a self-defense situation implausible for others. Agitated, the two drive home without notifying the police. While the investigations begin in the background and there is hardly any other topic in the circle of acquaintances of the other hockey parents, Nina and Paul have to stick together and assort new. Through the confrontation with the events and the solidarity as a "couple of crime" they find each other again in the course of the story. But can they also live with this guilt?

Martha and Helene Weiß - one a devout nun in a Swabian convent, the other a convinced atheist and mother. Two unequal sisters who almost only argue with each other. Martha's faith in particular is always a red rag for the younger and wilder Helene. But then Helene is involved in a car accident with her daughter and husband. However, when she wakes up in hospital and learns that her husband and child are dead, she feels no grief. She suffers from retrograde amnesia. In other words, she can still remember Pippi Longstocking, for example, but not her own family. Now it is Martha, of all people, who brings her to the convent and gives her support. But can she really trust this stranger?

The region between Kassel and Fulda in northern Hesse is lonely and rugged. This is where Josh, Laura, Hannah, Philipp, Tobi, and Leonie are growing up. They are just turning 16.

An Israeli director currently living in Berlin returns to Israel to meet some of her friends from primary school. She learns what has been happening in their lives since their paths parted while we get a glimpse of different Israelis.

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Yasmin has lived an almost normal life as a German ever since she was three years old. The family fled from Somalia during the civil war and now lives scattered around the globe. When Yasmin's grandmother no longer wants to stay in her Ethiopian exile, a transnational family drama evolves, circling around the essential question: Where is Granny to live? And suddenly, the family confronts their own aspirations: Have they actually arrived where they want to be? GLOBAL FAMILY is a twistful documentary about a transnational family drama, in which four generations of a refugee family each pursue their own dreams of family, home, and future.

Culture clash on the sandy streets of Burkina Faso. Africa’s biggest cycling race, the Tour du Faso, is a ten-stage challenge where adventurous European amateur cyclist and African local heroes compete passionately to make their dreams come true. Yet the film does not focus on the question of who will win – instead, it puts the protagonists’ experiences centre stage. TOUR DU FASO takes the audience time travelling back to pre-commercialised decades. Following the Tour du Faso, we learn more about cycling, Africa and the extraordinary fighting spirit of the underdogs. Here, it is still the taking part that counts...

An exploration of the reality behind the dream of a better life; what is lost and what is gained in the pursuit of personal wealth and perceived happiness.