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Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.
Nonô Corrêa, a character inspired by Molière's "The Miser", is the story's protagonist. The orphan Zezinho crosses paths with Nonô and wins the neurotic gentleman's heart.
After an accident, Marcela arrives in São Paulo and decides to assume a new identity. Torn between love, she plunges into a world that is not her own.
A professional hitman returns to Brazil and is hired to eliminate an Argentine Delegate in a Rio de Janeiro convention. Inspector José da Silva realizes the plot and starts to pursuit him.
It tells the story of the Camabará family for many generations, which were fundamental to the social and political formation of the state of Rio Grande do Sul. The stories are remembered by Dona Bibiana, who remembers the life of her grandmother Ana, her husband, the Captain Rodrigo, his son Bolivar and his daughter-in-law Luzia.
The miniseries addresses the struggle of Pedro Arcanjo, guided by Magé Bassã, his holy mother, to protect African culture and integrate it into Brazilian society, creating a new culture. The plot takes place in the Bahian setting filled with the stories of the characters who intersect in Arcanjo's struggle: the friendship with Mestre Lídio, shaken when Rosa de Oxalá, his wife, falls in love with Archanjo; loves prohibited by the incompatibility of saints; the fight against the intolerance and racial prejudice of those in power.
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Mulher 80 emerged as a result of the success of 'Malu Mulher' (1979), a miniseries starring Regina Duarte, which addressed the female situation in Brazilian society at that time. The main focus of the special was the female presence in music, honouring the singers and songwriters of MPB with musical numbers and testimonials.
Police investigator Galvão is pursuing two trails, one professional and one personal. While he looks for a serial killer, he also searches for his estranged daughter, Sandra, whom he kicked out of the house. Lives intersect when the serial killer, Toninho, befriends Sandra, now an exotic dancer and prostitute living and working in the seamy underside of late 1970s Rio.
Two teenagers from different social classes fall in love after meeting in a conflict at a party and will have to face challenges to be together.
Comedic portrait of middle-aged women in Rio de Janeiro, including overworked housewife Magali and her over-the-top twin sister Magda, psychoanalyst Paula and her troublesome daughter Melanie, and stage star in crisis Lise.
A group of messenger spirits led by Aniceto, including doctor André Luiz, are tasked with going to Earth to help rescue three proteges whose interconnected stories are about to fail.
After Cláudia, haunted by her husband’s death on a car crash, starts a romance with another man, she starts receiving threatening letters.
Luísa is a romantic, dreamy and delicate young woman married to Jorge, an engineer, a man of good habits and good economic conditions. They didn't know each other well, but got married and Luísa was a good wife, "she was clean and happy as a bird". Everything get changed when she meets a childhood love, her cousin Basílio. What seemed to be a great adventure will became a nightmare and Luísa will discover the price of her infidelity.
The story of the first steps of a very young couple. Their love is great, as are the financial obstacles and an unexpected pregnancy.
A veteran popular singer remembers her early days before fame as a humble woman who faced many obstacles in order to achieve fame, notoriety and make her dreams come true. Her life, the songs, the men she knew and helped her on her ladder to success all have a big influence on her life.
Iolanda, a widow who is the matriarch of a large and complicated family, is the hostess of a large party in a mansion that brings back many memories. The celebration is marked by a barbecue with lots of gossip and fun among old friends.
Just before her departure, Rita Lee writes a farewell letter to her three children and her husband and musical partner, Roberto de Carvalho, in which she reflects on her life and joyfully celebrates her family. Her final moments also mark the time to look back and review a career full of unforgettable successes, which led her to sell more than 55 million records. But it is also a time to reveal her downfalls, her vulnerable side, and her excesses as the queen of rock. With completely unseen personal archives and exclusive testimonies from her own family, as well as producers, journalists, musicians, and celebrities such as Gilberto Gil and Ney Matogrosso, "Rita Lee: Mania de Você" presents her definitive legacy.
Clumsy old lady Dina Rocha lives with her son Marcelo. After a series of incidents at home, she moves to her house in Santa Teresa. She meets her friend Nonô and she pays a visit to her old friend. Her sons do not know where she is and they go to the hospitals and morgues. Coincidently there is the body of an old lady smashed by a truck and they believe that she is their mother. Meanwhile two smalltime thieves break in Nonô's house and keep the two old ladies locked in the bathroom. During the funeral of Dina Rocha, the dysfunctional families have a quarrel disputing their heritage.
