Writing
Barta has been investigating for a year in the murder case of a professor of medicine. Keller, the victim, has been shot dead in his own villa. Barta joins the closest relatives and they all travel to Dunaszentmárton by ship for the inaugural ceremony of his tomb.
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Nelli, the icy, introverted farm girl, needs to find a husband following her father's death. She accepts the attentions of the noisy Takaró Sanyi, although she is more attracted to his silent and modest younger brother.
For this austere, clear and sharp telefeature, Judit Elek focused on the last months of Martinovics’ life: his interrogation by the Austrians, the examining Magistrate Schilling in particular, shown as a battle of wits as well as delusions on both sides. Elek had wanted to make this film in the early 1970s, but wasn’t allowed to. When she finally got the chance, the reactions were predictable, as the parallels with recent Hungarian history were simply too obvious for officialdom not to feel anxious. History may not repeat itself, but the variations look eerily similar.
Joseph II, the enlightened Austro-Hungarian emperor, entrusts his loyal and confidential subject, Ráby Mátyás, formerly a treasurer, to examine the abuses made by the magistrates of Szentendre and Izbég. Following his old friend, Dacsó Marci's directions, Ráby reveals horrible robberies, tax evasions, frauds, and other illegal acts having been committed against the people.
