Rodrigo Corea

In a small town in northern Mexico, where two drug cartels rule, the young man Lupe embraces his dangerous fate. He transforms into Coyotl, a mythical creature that is half man and half beast. With this transformation, Lupe wants to become the protector his people so desperately need.

Rookie CIA field operative Isabel Alfaro works alongside infamous CIA legend Wayne Addison to bring down Rafael Bautista, Mexico's most vicious and brilliant narco. Her mission brings her into conflict with Eduardo Yzaguirre, her former boyfriend and the current Mayor of Mexico City, the cleanest and most inspirational politician in the country.

An American businessman with a stake in a pharmaceutical company that's about to go public finds his life is thrown into turmoil by an incident in Mexico.

Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.

Valentina's seemingly idyllic life in the US is interrupted when planning a wedding means introducing her fiancé to her scandalous family in Mexico.

When a group of teens finds a corpse floating in a canal, the brutal reality behind the perverse crime unravels a town's hidden secrets.

Ian discovers that André, a former soap opera star and current alcoholic is his real father. Ian decides to go work at his ruined mascot business where he finds a place populated by extravagant people and discovers the meaning of fatherhood.

There are two tragedies in life: one is not to achieve what the heart wants... the other is to achieve it.

Ariela, a traditional Jew, meets Ivan, a young man who is not Jewish with whom she begins a secret relationship despite her family beliefs.

Niebla, a teenage gangster, is killed in a shootout and his ghost returns to help Francisco, a ten-year-old boy who is the victim of constant abuse and violent attacks by his father, Basilio, an abusive and violent thief, adored and feared by his son.

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.

Set of stories of couples who sign either their love or death sentence. Intimate, specific and diverse situations that give a panorama of the vast terrain of love relationships. Life is not the opposite of death, but rather its intermediate point. The opposite of death is love, because that is where the human being is more alive than ever.

Two friends that work on a ranch herding sheep are fed up with the mistreat given to them by their boss. They come up with a plan to steal the sheep and sell them at the Mexican-American border and with that being able to fulfill their dreams of a better future. What could possibly go wrong? That is the question on Jose's and Kumbia's mind. Jerónimo, the boss's son, will do anything in his power to catch them and not let them get away with anything that someday will rightfully be his. When the plan seemed like it could actually work, María, a young girl learning her ways with men, appears to shake things up even more between Jerónimo and José.

Jesús Andrade, a young thug, has decided to rob a stagecoach. At the time of the robbery he realizes that this is one of many stagecoaches of Governor Francisco Carreño and without giving enough importance he continues to theft, then suddenly he falls in love.

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Emilia, who suffers from a terminal illness, embarks on a journey with her best friend Violeta. On their way they meet Mark, who claims to be an alien on a mission to destroy the planet for considering humanity (and love) a virus. However, Mark begins to doubt his mission falling in love with Emilia.

Elena and her friend Laura, two attractive girls, will do everything they can to attract and keep a very rich mobster.

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An evening get-together of a group of vampire friends takes an interesting turn when an unsuspecting human visitor arrives.

Analogy of the fobia of existence and of the terror of the multifactorial value of life.