Acting
Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.
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Ludwig Gruber, the director of a spa café, is a good man. Now and again, he makes little adventure-trips to Berlin to find business for his company. The women he is traveling with have an accident on the highway. Gruber is traveling incognito as “Mr. Rabbit” with Lotte, the leader of the group. Because of the accident, they’ll have to overnight together in a hotel. Since Mr. and Mrs. Rabbit are a “couple”, they’ll be getting a double-room, where they can … mmm … do what rabbits do. Since they both insist on climbing into bed with the lights out, it isn’t until the next morning that they notice they’ve been in the same bed the whole night. In the ensuing chaos, Grube loses his wedding ring, which is later sent to the address of Lotte’s mother, who now insists repeatedly, that he marry her daughter.
Monika (German: Eine Mutter kämpft um ihr Kind, lit. 'A Mother Fights for Her Child') is a 1938 German melodrama film directed and written by Heinz Helbig. The story centers on a singer who relinquishes her illegitimate daughter to a German engineer in São Paulo to pursue her career, only to return eight years later as a celebrated film star and wife of a prominent surgeon, demanding custody after encountering the child on a film set.
Composer Franz Schubert becomes involved with a family with three daughters, falling in love with the two blonds, first one, then the other; but will he notice the quiet brunet third daughter, who has fallen madly in love with him?
Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.
Pierre Pasqual has just about everything his heart desires: in his career as a commercial pilot, he is well known and successful; he has wealth and a beautiful wife. The only thing is, that because of his career, Pierre is frequently away and the thought constantly tortures him, that his wife is up to something when he’s not home. “Who’s kissing Madeleine?” is the question Pierre must have answered.
The married Lady Emma Hamilton has an ill fated romance with Admiral Horatio Nelson.
Baron von Goret is an impoverished landowner, whose estate is about to go into receivership. And so, for that reason, he wishes to marry off his son Hermann with his well-off girlfriend Helga. But Hermann is in love with the farmer’s daughter Dorothea. He leaves his father’s estate with her and makes his way to Berlin to make a name for himself. He’s not successful in this and, so as not to stand in his way, Dorothea leaves him. Hermann’s aunt brings him back to his father’s estate, where, depressed over losing Dorothea, works tirelessly to clear the estate of all its debts.
While vacationing in Puerto Rico, a young Swedish woman falls in love with and marries a powerful local landowner. Ten years later, their marriage has turned sour; meanwhile, two Swedish doctors have arrived on the island to investigate a mysterious fever.
The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha.
A risque drawing is published and threatens to compromise the model, a doctor's wife. Artist Heideneck protects her and invents a name. But the name exists, and this respectable lady is drawn into the artist's shady affairs.
The film follows the comic (mis)adventures of a poor street musician, who is roped into posing as an eccentric nobleman. He and his antics are rapturously received by the members of a bourgeois family desperate to mingle with the aristocracy. The daughter of the family takes a fancy to the baron (in reality, merely a “joke baron”), assuming him to be immensely wealthy.
In this popular canine comedy, a man who doesn't especially like dogs is required to take care of one, as a stipulation of a sizeable inheritance.
It's bowling night again in Dingelfingen am Rhein. Hotel owner Kiesewitz has set a new record in bowling and is crowned the winner. Now he is to represent the club at the Oktoberfest in Munich. But at home he makes life difficult for everyone, especially his wife and his two daughters.
In the eve of the war between Vienna and Berlin playing dear comedy with then popular occupation: The mother wants to marry her daughter to the lord of the manor, but the daughter prefers the elegant hoteliers.
Princess Christine is impelled to be married, and expected to perform at the next Schönbrunn festival. But she takes a break and goes to Vienna instead, where she finds herself sharing a carriage with a young stranger.
