Alexandru Giugaru

In 19th century Wallachia war-bands of Ottoman Turks from across the Danube river raid Wallachia with impunity, while Wallachia's Phanariote rulers don't oppose them.

Mofturi 1900 is a 1964 Romanian comedic film directed by Jean Georgescu and based on Ion Luca Caragiale's many Moments and Sketches. The sketches used are "Diplomatie" ("Diplomacy"), "Amicii" ("Pals"), "O lacuna" ("A gap"), "Bubico", "C.F.R." (abbreviation of "Romanian Railways") and "Din statiune" ("From resort"). The film stars Grigore Vasiliu Birlic, Iurie Darie and Ion Dichiseanu; and features Ioana Bulcă, Alexandru Giugaru, Mircea Crisan, Geo Barton and others. Set at the beginning of the 20th century, the story revolves around two Mitică characters sitting at a cafe telling stories to each other.

Over at the fictional DRGBP institution, events take a settling turn after a mutinied prize festivity.

Bucharest, 1876. Don Dumitrache instructs his trusted man, Chiriac, to watch his young wife, Veta. Dumitrache is sure that Veta having an affair, she does not know is that her lover is Chiriac own...

Film montage, commemorating the 50th anniversary of Romanian comedy, using fragments from Romanian films from 1927-1977. The connecting sequences - the conversations of cinephile travelers on their way to the film studios in Buftea - account for about 40% of the total length of the film. We are grateful to the filmmakers for the reunions with great actors who have passed away or great living actors. We are very grateful to them for their kind and benevolent effort to entertain us in every way and in every way; the comedy way, the musical way, the music-hall way, all ways, because, if you look closely, an excellent comic moment comes from a detective movie.

1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.

A subpoena on perception turns the life of a teacher upside down when he finds himself taxed for what he never even had: two buffalo. Because of the aberrant bureaucracy, he can't even get rid of the fictitious cuckolds...

Movie adaptation after Carlo Goldoni`s "I rusteghi" comedy, written in 1760.

The plot take place in 1883 in a small provincial town in Romania, where the corrupt establishment decide everything, including - of course - who will be the "elected" representative to the national Senate. A love letter from the bachelor mayor to the wife of the local party chief, gets lost and found by a drunk party supporter. The letter finds its way to the opposition party, which decide to use the letter by blackmailing the powerful local "camarilla", and to get his own man to represent the county. What follows is not easy to guess....

Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.

The humorous adventures of an all-male team of cyclists training for an upcoming important bike race.

Two awarded bakers try to make out with girls by lying about their profession, but when they pretend to be doctors they get caught.

"Post Restant" is about two engineers: Puiu (Iurie Darie), a quite shy character, and Dan (Ion Dichiseanu) an alpha male type. They receive a letter from Liliana, a letter which is actually meant for the former apartment owner. Puiu replies to the letter, although he does not know the sender. The mail exchange goes on and the two fall eventually in love. Being less self-confident, when the time comes to see Liliana in the flesh Puiu asks Dan to meet her and pretend to be the one who wrote the letters.

First of 2 films set during the 18th century in the mountains of Wallachia, about a band of outlaws aiming to undermine the rule of the Phanariots and the Ottomans. The story evolves around the two stepbrothers who lead this band, Sarbu and Amza, with their complex and violent relationship.

Tudor Vladimirescu fights against the Ottoman Turkish domination of Romania and the social agitation ,his story includes the war between Russia and Turkey from 18o6 to 1812,for which he was decorated by the Russians.

A star of a small town soccer team gets involved with the pretty sister of his main rival in the team.

Nae Girimea, a barber from a late 19th-century Bucharest neighborhood, finds a new mistress, Didina. This event sparks the insane jealousy of his 'soulmate' mistress, Mita Baston, as well as that of the violent Pampon, Didina's official lover. Caught in this whirlwind of pursuit and punishment of the daring barber, all taking place during a carnival, is also Crăcănel, Mita’s official benefactor.