Simon Guy Fässler

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At the airport, customs provide a so-called mule with over a kilo of cocaine in her body. When the chief inspectors Fredo and Milan want to bring the Colombian to the police station, Milan is shot at a rest stop ... - The leading role of the chief inspector Fredo Schulz in the crime series is played by the multi-award-winning actor Armin Rohde.

A pensioner with many phobias realises one day that four million francs have been mistakenly deposited into his account. Instead of notifying the bank, he makes an unexpected decision: he withdraws the money and flees on his moped.

A lonely private investigator is contacted by a mysterious woman who pulls him into a mind game known as “telephone walking”. Fascinated by her voice, Aloys discovers an imaginary universe that allows him to break out of his isolation.

A mysterious lonely man and a young rebel woman, confront each other in a psychological drama about suspended identity.

After years of mass tourism in the Alps, a rethinking is slowly taking place. Whether researchers, artists or philosophers, many are trying to approach the essence of the mountains in new ways.

The interactive roadmovie follows the trail of a convicted war criminal with ties to Switzerland. On a journey through contemporary Rwanda, the viewer decides how deeply he wants to immerse himself in the story.

In a small mountain valley in Italy, the former criminal Cesare discovers the corpse of his nephew Fausto.

MUHAI TANG – IN THE OCEAN OF MUSIC is a portrait of Chinese conductor Muhai Tang’s extraordinary life. Born in 1949, the founding year of the People’s Republic of China, and raised during the Cultural Revolution, it seemed as if he would have to abandon his dream of a career in music. However, his talent, perseverance and the support of Herbert von Karajan ultimately brought him to the world’s concert halls. Today, Muhai Tang is a global nomad. A wanderer between the worlds which he unites with music. His personal history, interspersed with historical caesurae, is typical for Chinese of his generation. He gained access to western culture early on through music. Muhai Tang’s life and work are exemplary of a changing China and the enrichment of the world by an artist between East and West.

Almost 50 years ago, women and men all over the word dreamed of changing the world. What is left today of the expectations and the hopes of the people that flooded the streets? Not much, unfortunately. The filmmaker examines episodes from his own life, trying to understand how they fit—if they do at all—with the major changes of the world that hint all at a catastrophe in the waiting.

The Master of Wine examination is the most challenging in the wine world. Most candidates take almost ten years to complete the course. A real marathon that requires iron will, perseverance and many sacrifices. This year, four swiss women in their thirties are in the race to win their place in the world's most exclusive wine club!

«Grozny Blues» follows a few people around Grozny, the capital of war-torn Chechnya where daily life is defined by political repression, constricting customs, forced Islamification and the failure to come to terms with recent history. The film revolves around four women who have been fighting for human rights under worsening conditions for many years but get more and more disillusioned with the situation in Putin’s Russia. The building where they work is also home to a Blues Club that is frequented by a group of young people. Having only vague memories of the Chechen wars in the 90s, they try to make sense of the strange things that are happening in their country. In linking the personal and intimate to the political, Nicola Bellucci shows in a dramatic and yet very poetic way what it means to live in a divided society that navigates a no-man’s land between war and peace, repression and freedom, archaic traditions and modern life.

The film tells a very personal story from two perspectives: our protagonist is both doctor and patient. As a patient, he has struggled with recurring depression for years, and as a doctor he wants to find out why. The search for the origins of his illness leads him into the realm of his own genes and casts light on the fundamental changes facing modern society as a result of the tremendous progress being made in the field of genetic sequencing. Along the way, he meets a host of people – researchers, artists, visionaries – who have developed their own very individual approach to genetic coding and are drawing attention to the social significance of genetic technology. The film does not restrict itself to a scientific view of the subject but also makes use of artistic visions and more playful approaches to genetic blueprints.

Daniel and Samuel are two brothers: one is European, the other is Cuban, the first now a man, the second just a boy. They share the same father, a man who fled Germany, the collective memory of Nazism, during the Years of Lead. Reinhold Stockburger has lived for many years in Cuba, an island from which he has never returned. Three generations face stormy family ties and a fundamental passage of life: death.

René is sitting in his car driving through his drab reality. Suddenly, he has to sneeze. He pauses and listens. After a few quiet moments, he murmurs, “Bless you”. Then he moves towards the camera and continues: “I am a scream without an echo.” The film is the tragicomedy of a man searching for his echo, the way out of his loneliness. All paths are blocked and his quest becomes more and more of an odyssey. Evading his own insanity and narrowly escaping death, he gradually notices that the search can only end with oneself.

How do you film a minority that prefers to stay invisible, when you belong to the majority? Andreas Müller and Simon Guy Fässler travelled with the Yenish for six years—all over Europe and as far as the Grisons—faithfully and empathetically filming this freedom-loving nomadic community who bear the wounds of the past.