Directing
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The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.
A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!
A Czech agricultural student, Šimon Plánička, arrives at the small South Bohemian town of Hoštice, and joins the local JZD (agricultural co-op) with the intention of trying out his experiment regarding the "Milk yield of cows in regards to a cultured environment". He runs into difficulty with the directorship of the JZD, but he finds them eager to help once they hear he's the son of the local agricultural commissioner, as his last name is also Plánička. Blažena Škopková is given the task of finding out how things are looking. However everything is complicated by the jealousy of Blažena's boyfriend Venca.
Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?
Antony is obsessed with the idea of a happy family life, but his young daughter has to be cared for by the parents of his wife, who died in a car accident. Unfortunately, Martha, whom Antony has somewhat recklessly married, has a fundamentally different vision of her future than he does.
While Kendy returns to his hometown as an assistant director to film a thirteen-part series with a television crew, Štěpán Šafránek, equipped with his mother's advice after graduation, takes up his first position - as an intern at the local hospital. However, his inadaptability to local conditions and his sense of ethics in his chosen profession do not suit his other established colleagues. While they are amused by his zeal and responsibility, Štěpán has increasing problems with his superiors, until he is finally transferred to the position of rural district doctor, which everyone rejects. In Bezdíkov, however, he meets a new, perhaps permanent and reciprocated love, with whom he eventually decides to live and work in northern Bohemia.
A stories about friendship and love, children and parents, students and teachers - all from one regular Czech school during the eighties.
Inseparable friends Štěpán and Kendy are students in their final year of high school. When they are in the principal's office after the trouble with the rather scandalous song "On the Carpet", the school principal gives them the idea of rehearsing a theater performance. They decide on Tyl's Forest Maiden in a rather unconventional version - with music, singing, and several unusual props. While Kendy sees the theater as not only an opportunity to enjoy himself, for Štěpán it is a chance to get closer to the charming Marcela Borůvková. What was originally just a student recession soon starts to get out of hand for both authors, not only because of the quirky cast but also because of information in the press, which is taken care of by the father of one of the classmates. The business is gaining in size, and even a television station is contacted, which shows an interest in making a program about the performance. At that moment, the disaster seems inevitable to Štěpán and Kendy.
Three middle-aged go for a vacation into the mountains with their children. How will they cope with their youngsters every-day needs without their wives? The annual men's ride of three fathers becomes something like a kindergarten in the winter countryside due to the wives' vigorous intervention. It turns out that in certain situations, fathers make better moms than moms themselves, which is especially true when moms aren't in sight. Their parenting methods are very peculiar and cause a lot of confusion and hilarity...
March 1945. It is already quite obvious to the Nazis that they cannot win the war. So it is time to think about the future after the war and to cover their tracks. One concentration camp must be completely cleared out and the prisoners buried in the mines. Only the mine-hunters remain - among them Ernest, a veteran of the Spanish Civil War from Vienna, and Kim, a resistance fighter from Prague. One day they decide to escape with the other prisoners, but they are betrayed and most of the escapees are shot. The pair of heroes are not alone, however, and on the way they are joined by a guard dog from the camp that Kim used to feed. In the coming days, Ernest leads young Kim through the unrelenting cold on his journey to freedom, teaching him that there is only one rule to follow in this time - kill or be killed.
In 1781, Countess Marie Karolina shelters an influential Abbé, a former Jesuit who vehemently opposes progress. Only Dr. Kamenický dares challenge him, restoring the countess’s zest for life. Her husband, obsessed with finding a hidden treasure, neglects the estate and seduces her ward Renáta. Meanwhile, returning exile Václav’s secret reunion with Frantina in cave hideouts is betrayed by jealous suitor Tomáš, who, with the Abbé’s help, unleashes a violent manhunt.
A boyish dispute over drums full of scared pigeons.
