Dario Tangelson

During the year 2000, Ricardo, Pollo, Walter and Chiqui occupied a house in the Buenos Aires neighborhood of Congreso. The four young people forge a strong friendship that leads them to go through different stories of crime, drugs and social marginalization.

Set in a decaying Buenos Aires, a poor Argentine (Minujin) wrestles with his newly discovered superpowers.

Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.

Film composed of nine short films. Short Stories 0, was released in 1993 and did not yet have that name because they were separate shorts. It would later become the prestigious annual short film competition for directors organized and produced by INCAA.

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He is a writer and Ángela, a mature woman, is his domestic employee. Since he can't find inspiration, he decides to accompany her on her work day to other houses. Thus, delving into other people's lives, both begin to stop seeing each other as strangers and have fun, momentarily forgetting their own problems for a while. Without romantic tensions, the two simply enjoy sharing the day and, while Ángela cannot stop remembering Pedro, her dead husband, he only listens. Without advice or sermons, their two visions come together to make, at least that day, a different experience.

An abused wife (Cecilia Roth) seeks information about her dead mother, a freedom fighter buried in Antigua.

In the middle of the 'Corralito', Argentina's bank freeze, Jordi travels to Buenos Aires in pursuit of a government contract. To enter into the high spheres of political power, he will have to pay something more than money. Just how far is he willing to go? Written by Zip Films

A bridge spanning a river collapses during rush hour. Eight years later, the lives of four people, impacted by the tragedy and on the run from their personal demons, intersect in THE PUBLIC DOMAIN, a Polish bar. It's the feast of St. Casimir, the Patron Saint of Poland, and the biggest party of the year in this Nordeast Minneapolis dive where desire, guilt, ambition and fear are served up with pierogies, Polish vodka, polka music and, maybe, a shot of redemption.

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As a tanker is caught in a storm and capsizing; a second cook on board receives a voice mail from his wife that he is a father to a baby girl. The cook retreats to a small storage closet where there are approximately 60 minutes of air remaining. Fifty–eight miles from shore in the confines of this closet he experiences impossibly authentic hallucinations of his baby girl’s birth, growth and his own funeral and burial. Our birth, growth, and death are inseparable from the natural elements. Biodiversity affirms the enormity of our unconscious. As he visualizes her mother’s efforts up through age four; the air runs out, and he becomes a midwife to the memories he will never have: a vision which only film can allow.