Acting
A yearly musical contest organized by the municipality of Viña del Mar, Chile which takes place during the last week of February at the Quinta Vergara Amphitheater since February 21, 1960.
MTV's acclaimed music series showcases today's top artists and rising stars in the industry performing acoustic versions of their songs.
A documentary film that observes, listens to, and interacts with Fito Páez from a place of profound intimacy. The camera, almost invisible, witnesses his every move, accompanying him for over a year during recordings, rehearsals, tours, and performances in major cities across Latin America, Europe, and the United States. It is also a journey through the life of one of the greatest Spanish-language artists: his loves and heartbreaks, children and friendships, excesses, tragedies, failures, and successes.
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Cachitos de hierro y cromo is a Spanish musical-themed documentary program, directed by Jero Rodríguez and hosted by Virginia Díaz. It is an unapologetic musical display of RTVE's sound legacy in the form of performances on the set of programs such as 'Aplauso', 'Galas del Sábado', 'Mapa Sonoro', 'Zona Franca' or 'Los Conciertos de Radio 3'. For nearly 60 years, artists and other specimens have stormed viewers' screens. The result is a polyphony of images and memories that includes everything from James Brown to Camela, from Perales to REM, from Gabinete to Violent Femmes. And so all the time. Our secret weapon has been the historical archive of TVE, the repository of Spanish collective memory for more than half a century.
Taking back the ritual of food as a space for conversation and different points of view, actor and filmmaker Diego Luna moderates conversations that unites experts and different personalities to touch on fundamental topics of universal interest in contemporary societies, accompanied by the menus of well-known Mexican chefs.
These two birds back to join their voices, between lyric and tear, Serrat and Sabina. During a previous tour viewers could overthrow them both with one shot, but this time that these birds will soar on shotguns. Each with its splendor, with its poison. Joan Manuel Serrat keeps intact the moral, tough, committed contempt of difficult times, but always wrapped in the aura of a joy of living, in favor of simple pleasures, the melancholy of those trams transported to the beaches on Sunday to overcome people and returned to the city only defeated by the sun, with salty lips and burned skin. And among so many words of love Serrat, the hoarse cries of Sabina, both fused, and although the two crossing their songs, one with guitar and the heart will scratch another liver.
For this second film in the cult comedy series Torrente takes our fat police officer from Madrid to Marbella in Spain to investigate a villain’s plot to destroy the city with a missile. This James Bond style slapstick comedy became the most successful box-office film in Spanish film history beating out only the first Torrente film.
Planet Earth, 9177. The remains of humankind live in a post-apocalyptic environment divided into only two social classes: the ruling king and the oligarchs who inhabit the Representative Building and the poor of the world who hardly survive in the slums built around it.
The first time ever 2 great Spanish artist join together on an international stage
Crooked cop Torrente gets out of jail in the year 2018 to find a different Spain from the one he knew.
They still carry his house keys with them, Joaquin Sabina's old friends. It does not matter that the Madrid-based singer, who is adored throughout the Spanish-speaking community, changed the locks to his house years ago. After the brain haemorrhage that hit him in 2001, Sabina suddenly could not bear the dozens of friends anymore that invaded his house. This was a raw deal for them, as the interviews reveal that director Ramón Gieling had with them. As in Gieling's previous documentaries, he created a cinematographic form for the interviews, which he consistently applies. Friends and former lovers are introduced in a minutely reconstructed copy of the living room they were expelled from. In the real living room, they used to lead a loose life without thinking about the health risks.
With the chasms that doing so entails, Leiva personally paints a raw and unpretentious portrait of the frenetic spiral of his existence today, giving us an unwonted glimpse of his life at the height of his career. An irreversible vocal cord issue constantly challenges the present and future of a Leiva incapable of conceiving any option other than to keep going. Until his voice gives out.
