Teresa Stratas

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Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.

The story is set in southern Italy and recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. Although Leoncavallo's opera was originally set in the late 1860's, Zeffirelli's production is updated to the period between World War I and World War II.

An autistic child growing up in the 1940's and 50's with a mother who is bitter because her fear of success has denied to herself a possible career in opera. This anger translates into an over-protectiveness of her mentally ill daughter, even into the child's adulthood. But a loving sister, herself having an arm that is paralyzed, is a bastion against the limitations imposed by the mother and finally helps her sister to live a more full life.

The story tells of the Army officer Octavio and his consuming love for Giuditta, a passionate spitfire, who leaves him because he refuses to desert the colours for her; their chance meeting several years afterwards comes too late, though they realise how much they have lost.

When the Sioux come to Canada, the Canadians permit them to stay in Canada if they come peacefully. However, some cowboys kill all inhabitants of one of their villages. The cowboys seek to get back their horses, but they pretend to search for a girl who once had been robbed by the Indians.

Plácido Domingo accomplishes the rare feat of singing both leads on the same night at the Met in 1978 on opera's most popular double-bill.

This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.

A film-poem written in response to the controversy surrounding Salman Rushdie's The Satanic Verses

Nikolaus Harnoncourt conducts the Wiener Philharmoniker in this filmed studio performance of Mozart's opera recorded in 1988.

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Operetta concerning the love affair of Niccolò Paganini, the violinist, and Élisa Bonaparte, the younger sister of Napoleon.

This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.

Anna I and Anna II set out on a seven year journey that takes them through a series of varied life experiences while their parents and two brothers remain behind.

Opera written by inmates of a Nazi concentration camp in 1943 before their murder in Auschwitz.

Filmmaker Larry Weinstein stages a wide range of performances in tribute to the compositions of Kurt Weill.

This MET production of Bedrich Semtana's classic folk opera boasts a superb cast, including Nicolai Gedda, Jon Vickers, Teresa Stratas, and Marti Talvela. The staging and mis-en-scene is traditional and very well done. Everyone seems to be enjoying this presentation. Although not to the same standard as today's HD productions, this is still a wonderful way to get to know this delightful opera.

One night in Judea, a disabled shepherd boy-turned-beggar and his mother are visited by three strangers. They are the Three Kings, and they are on their way to Bethlehem to visit the Christ Child, who has just been born.

Documentary about the life of opera singer Teresa Stratas

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.