Hervé Martin-Delpierre

Daft Punk Unchained is the first film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy Awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution revealing a duo of artists on a permanent quest for creativity, independence and freedom.

Filmed in Japan, this program looks beyond the stereotypes to objectively examine the history of manga, how manga are drawn, and manga's influence on Japanese life as illustrated by cosplay bars, where people dress up as their favorite characters; manga kissa, 24/7 manga cafes; and Comicket, the twice-annual comics market that draws hundreds of thousands of visitors. The program also introduces viewers to a cross-section of mangaka icons: Vagabond creator Takehiko Inoue; Naoki Urasawa, author of The Pushman and Other Stories; Jiro Taniguchi; Yoshihiro Tatsumi; and Kan Takahama.

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Over the past ten years, online gaming has revolutionized the world of video games. Through the journeys of colorful characters across the globe, this documentary explores that revolution, offering a unique take on themes such as education, violence, and addiction. It also raises more unconventional questions, like the blurring line between the real and the virtual, our relationships with avatars, the taming of social complexity, and the new forms of sociability spawned by networked gaming. These are rarely addressed yet essential topics for understanding the true power of video games.

This documentary gives a serie of portraits of chinese and korean E-Sport gamers.

The documentary follows Korean comic artists Park Chul-ho and Park Hong-jin during the process of creating a Korean manhwa (equivalent to Japanese manga). Rehearsing actors, studying martial art fighting scenes, meetings with real figures of the Korean mafia (Jopok), reviewing trick animation and comic drafts - as both protagonists the movie changes from real to fiction and animation giving a brief introduction into the world of East Asian animation.