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Nargis

Nargis

Acting

Biography

Nirmala Dutt (born Fatima Rashid; June 1, 1929 – May 3, 1981), known by her screen name Nargis, was an Indian film actress, and later politician, regarded as one of the greatest actresses in the history of Hindi cinema. During a career that spanned from the 1940s to the 1960s, Nargis appeared in numerous commercially successful as well as critically appreciated films that ranged in genres, from screwball comedies to literary dramas, and became known for playing versatile, independent and dignified women. In 1958, she was awarded a Padma Shri, the fourth highest civilian award, for her contributions in cinema by the Government of India.

Known For

Pyar
9.0

A classic love story focusing on the emotional trials and obstacles faced by the two individuals in their journey toward finding true love.

Pyar

1950
Awaara
7.2

A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.

Awaara

1951
Mother India
7.0

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

Mother India

1957
Paapi
9.5

On the run from the police, an atheist masquerades as a religious icon.

Paapi

1953
Shree 420
7.5

The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.

Shree 420

1955
Mela
8.0

A convicted murderer is released from prison. His only possession is a broken figurine - the last token of his love. The tragic story of how he came to be incarcerated and the significance of the figurine is the subject of this tale of star-crossed lovers whose destiny is moulded by society's rigid rules and the villainy of a scoundrel.

Mela

1948
Aah
7.0

At the behest of his father, Raj writes letters to Chandra, a prospective bride. However, unbeknownst to him, it is Neelu, Chandra's sister, who responds to his letters and falls in love with him.

Aah

1953
Yaadein
6.8

The film is soliloquy of a man who comes home to find that his wife and son are not at home, he assumes that they have left him and reminiscences his life with them, and scared of his life without them, he regrets his past indiscretions. The suspense is only revealed in the end.

Yaadein

1964
Aag
6.5

A man obsessed over two things, the theater and a childhood friend, recounts his life story to his new bride.

Aag

1948
Dhoon
10.0

Dhoon (Tune or Passion) is a 1953 Bollywood film directed by M. Kumar. The film was produced by Silver Kings, a production company formed by Kumar and his then wife, actress Pramila.[1] The film stars Raj Kapoor, Nargis, Motilal, Kumar, Pramila,[2] E. Bilmoria, Leela Mishra and Kamal Mehra. Mehra was a lesser known comedian who started his career in 1951 with Naujawan. He went on to act in several films before starting his own production company Pride Of India under which he made films like Kismat (1968), Mahal (1969) and Naami Chor (1977).[3] The music was by Madan Mohan.

Dhoon

1953
Anhonee
6.8

An impoverished advocate faces challenges after he falls in love with a wealthy woman who has a look-alike courtesan sister.

Anhonee

1952
Humayun
5.5

The film follows Humayun’s rise to the throne, his struggles to maintain the empire, and his conflicts with rivals—especially Sher Shah Suri, who defeats him and forces him into exile. Amid political upheaval and personal loss, the story also explores Humayun’s relationships, particularly with his noble wife Hamida Banu. Eventually, with Persian support, he regains his empire, but his triumph is short-lived, as his reign ends with a fatal accident.

Humayun

1945
Babul
10.0

Two fathers, one poor and the other rich, hope that a wealthy postmaster will wed one of their daughters.

Babul

1950
Chori Chori
7.3

Kammo lives a very wealthy lifestyle with her widowed multi-millionaire dad, Girhdarilal, who would like her to get married to someone who is not after their wealth. To his dismay, she chooses to marry a Pilot named Sumankumar, who is known to womanize, and for his greed, so when he disapproves, she runs away. He advertises for her safe return and offers to pay Rs.1.25 Lakhs to the finder. Four days later, Kammo returns and she is not the same anymore, she is more humble, sober, and respectful. Fully appreciative of this, Girdharilal agrees to get her married to Sumankumar. Just before the marriage, a man named Sagar approaches them - and it is this visit that will change their lives forever.

Chori Chori

1956
Barsaat
6.3

Two friends with opposite personalities, the rich but sensitive Pran and the womanizing Gopal both have affairs with two mountain girls while holidaying in the valley of Kashmir. While Pran and Reshma's love is true and reciprocated, Gopal is a womanizing villain, who disregards the faithful Neela and condemns her to wait faithfully for his return with the barsaat (rainy season).

Barsaat

1949
Romeo and Juliet
8.0

Directed by Akhtar Hussein.

Romeo and Juliet

1947
Journey Beyond Three Seas
6.1

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

Journey Beyond Three Seas

1957
Jan Pahchan
8.0

Anil, an artist, comes to stay in a village with his friend Jeevan. While there he meets Asha and asks her to model for his statue. The two fall in love. They marry secretly but Anil must leave as his father is dying. While on the way back his car crashes and he is disfigured. Anil is now reluctant to go to Asha in case she no longer loves him, while meanwhile Asha is pregnant and being shamed by the villagers.

Jan Pahchan

1950
So Many Dreams on the Streets
8.0

Two ambitious young employees land a job at the small store of an avaricious man, intending to stay there no more than a few months. But, fate has other plans in store for them. How many dreams must one sacrifice to find happiness?

So Many Dreams on the Streets

1968
Jagte Raho
6.3

Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.

Jagte Raho

1956