Johann Strauss II

After the Avengers are overtaken by a zombie plague, a desperate group of survivors discover the key to bringing an end to the super-powered undead, racing across a dystopian landscape and risking life and limb to save their world.

Johnny Green leads the MGM Symphony Orchestra in a medley of waltzes and other familiar pieces by three members of the Strauss family. Filmed in CinemaScope.

Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

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After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.

Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.

Author Arthur C. Clarke and the cast and crew of Stanley Kubrick's 1968 masterpiece "2001: A Space Odyssey" star in this documentary, released in the film's long-anticipated title year. The origins of the production are traced as we see how the early days of the space race influenced Kubrick and Clarke's vision of a far more optimistic 21st century than we've managed to achieve - at least so far.

Dr. Gabriel Eisenstein, legal counsel at Arabayam & Co., is serving an eight-day sentence in the Grinzing district prison for insulting a public official. At the same time, however, he is to attend Prince Orlofsky's ball on behalf of his employer, Basil Arabayam, posing as Marquis Renard with a fictitious wife. Said woman is to persuade the prince to donate oil-rich lands in Bakutin on the Black Sea to her, which are to be immediately transferred to Arabayam...

In Vienna, at the Schönbrunn Palace Theater, director Nikolaus Habjan, in collaboration with conductor Hannah Eisendle, presents the operetta “Wiener Blut,” based on waltzes by Johann Strauss Jr.

A TV film about how the hard days of the siege of Leningrad united the residents of a communal apartment. 1941. Teenager Petya is taken in by a neighboring family after the death of his mother. The boy goes to work at the factory, and when his younger brother Vovka is found, Petya strives to replace his father.

Composer Johann Strauss risks his marriage over his infatuation with a beautiful singer.

The Deutsche Kammerphilharmonie Bremen, conducted by Omer Meir Wellber, takes over Neuschwanstein Castle in southern Germany for a lyrical concert featuring soprano Golda Schultz, tenor Rolando Villazón, and baritone Ludovic Tézier. In this grandiose building constructed by Ludwig II of Bavaria, the prestigious trio performs works by Mozart, Verdi, and Lehár.

Intrigue, champagne, and irony: in a production directed by Barrie Kosky, the Bavarian State Opera presents a sparkling production of Johann Strauss II's Die Fledermaus.

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A musical show combining pop, theater, and circus inspired by Johann Strauss's operetta “Cagliostro in Vienna,” written by Thomas Brezina and presented by the Roncalli circus company.

In the aftermath of World War II, a soldier takes charge of a manor formerly owned by a German family and falls in love with the daughter, now a maid. Their relationship forces him to confront the tension between his love and his conscience.

The Vienna Philharmonic Orchestra welcomes in the New Year as the world watches: 50 million classical music fans tune in to the New Year's Concert from the flower-decorated Golden Hall of the Musikverein.

The plot of Die Fledermaus is woven around a ball given by Prince Orlofsky.

If there has been an "edit" somewhere on the music theatre scene since the dawn of the new millennium, which has been noted by the chroniclers as a tangible scandal - then the Salzburg festival production of the operetta "The Bat" by Johann Strauß, staged by Hans Neuenfels. Neuenfels, born in Krefeld in 1941 and long known as the "enfant terrible" of the theatre scene, was not the first within the reception history of the "bat" who dared to scratch their paint. This time there was not only an unconventional direction, but also serious interventions in the libretto. Neuenfels has written new dialogues, incorporating texts from other authors: Karl Kraus, Gottfried Benn, Hugo Ball. Conductor is Marc Minkowski.

A musical based on the life and music of Johann Strauss, Jr.