Norman Harrison

The adventures of Interpol policemen Duval and Mornay as they fought against international drug-running, homicide, robbery and forgery.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

A United Nations investigator crosses paths with a pair of psychic sisters on his way to Trollenberg observatory in the Swiss Alps, which has been plagued by a series of mountaineer disappearances that may be related to a radioactive cloud at the mountain's south face.

A handsome gambler unwittingly becomes guardian of an orphaned, teenaged girl.

After murdering his lover, cross-channel swimmer Joy Webster, Derek Bond attempts to do same to her other boyfriend, Sheldon Lawrence. John Ireland plays an Interpol detective who stems Bond's homicidal hijinks. Black Tide was produced by Monty Berman in his pre-Saint days.

Fed up with her wealthy but abusive husband, Tom (Basil Dignam), young English homemaker Laura Wilton (Anne Heywood) conspires with her lover, American Army captain Dave Dillon (Robert Arden), to have her boozy spouse meet an "accidental" demise. But a nosy copper (Denis Shaw) suspects foul play, and soon the lovers' crafty scheme deteriorates into fear, distrust and betrayal. Paul Dickson directs this vintage noir thriller.

A shady business man has perpetrated a fraud that has resulted in the death of a large number of people. His business partner has evidence of the fraud and threatens the fraudster with exposure in the event of any further dishonest dealing. But when the fraudster suddenly receives death threats he decides to fake his own murder in a plan both to get his hands on the evidence.

After spending a long time in prison, Kip is still willing to pull off one more big job

In a late night chemist a shot bank robber has been taken for treatment, and to rendezvous with the gang leader.