Priya Malik

Three, young, aspiring Indian rappers make their way in a cutthroat music industry, dreaming of fame, stardom and ultimate hip-hop domination.

A story of belonging and acceptance, identity and family told through courageous, queer women choose to embrace love that exists beyond their personal beliefs and social moralities.

An immersive film installation by Cally Spooner. In this work, a musical for six continuously rolling cameras, a black box soundstage and its inhabitants, are recorded in a single take. The mechanics of the shoot (cameras, microphones, mixing boards, chromakey screens and crew) remain as present as the performers they capture. Cast and crew become a constant-motion human backdrop, pragmatically recomposing scene-changes through lighting cues, voice, body movement, or continuous shifts of filmic apparatus and props. The semblance of a post-production edit arrives through the organisation and orchestration of bodies on set. Delivered by a chorus line of women, the film gossips about various celebrities, athletes and politicians who have outsourced their performances to different technologies.