Vladimir Makeranets

1918. A Red Army soldier Fyodor Krohov, authorized to withdraw farmers corn surpluses, comes to a small village, where White Guard can show up any day. He must persuade peasants to hand over the surpluses. But men are hesitating, some lend an ear to a wealthy peasant Mokey Zhlobin, unwilling to give away his hided corn. The only one person, backing up Fyodor is a local self-made inventor, living in the outskirts with his beloved beauty-wife, having equipped his house with electricity, power-saw bench and other gimmicks. The inventor takes him as a close friend and his young wife falls in love with Fyodor. The love triangle appears, but their ideals are above all. Together they manage to find the hidden corn and survive in uneven battle with bandits who rushed into a village.

A life of a driver Stephan Chekmenev turns out to be very lucky: healthy children, loving wife, solid loghouse. But once his fellow-villager perishes in a forest. And Chekmenev, considering himself to be the one to blame, in expectation of an imminent retribution, tries to understand: why and when did he, once having so many friends, become so indifferent towards other peoples lives.

A WWII veteran, Apollon Golub, arrives in town in an old car. The car attracts the attention of teenager Valerka Elkin, which has grown into a real friendship between him, the veteran and, of course, the car.

A woman living a difficult life suddenly finds love.

Striking workers with their wives and children gathered in front of the governor's house. The crowd is noisy, they are trying to rip off the governor's shoulder straps, his assistants have difficulty pulling him out of the crowd and taking him into the house. Stones are flying through the windows. The governor goes out onto the balcony and takes out a handkerchief. The soldiers standing in the cordon are nervous, and a careless wave of the governor’s handkerchief is interpreted as an order to open fire. As a result, 47 people die. The governor, as a true patriot, cannot fight against his people. And having become, willingly or unwillingly, the culprit of the death of people, he awaits inevitable retribution for this.

Outside the gates of the psychiatric hospital was 40-years-male with the development of 10-year-old child nicknamed Baby. In his pocket he had a ticket on the train, in the hands of the suitcase. But he can't get far. At the station when boarding the train, he immediately gets into trouble and loses his suitcase. At the same time he still gets from the police. Two teenagers, a brother and sister — kit and Alenka, left without a home and without parents, living in an old abandoned railway car, let him spend the night. The kid is sincerely attached to them and begins to take an active part in their hard free homeless life.

Veliky Ustyug at the beginning of the 17th century. Semyon Dezhnyov falls in love with the daughter of a rich merchant — Avdotya, but the groom is poor. The girl's father sets a condition: Dezhnyov must go to Siberia and get rich — only then will he receive consent to marry. Dezhnyov agrees and leaves for Siberia. Although he passes the test, he does not return to Avdotya. He finds a strait "from a warm sea to a cold one": from the mouth of the Kolyma he swims to the Pacific Ocean and opens the strait between the continents.

An armed attack on cash messengers is undertaken near a trade center in a small provincial town, an agent of Ministry of Internal Affairs dies in crossfire. A crime investigator major Rovnin (V. Kuznetsov), who appeared to be a close friend of the deceased, comes from Moscow to assist in the investigation. He is astonished at how savagely his friend was shot, as if someone was revenging. Local investigating bodies are convinced that they can manage this and arent too satisfied with the arrival of Moscow expert. They try to handle this as soon as possible, even at the cost of mistake. But the majors task is to find the killer, in spite of the fact that he is left nothing but to hold the investigation by himself.

Remote house on the dunes hides many secrets... Based on Robert Louis Stevenson novel.

No description available.

A young 19-year old girl Anastasia (O.Bobyleva) comes to a big Siberian construction site. She dreams of being a welder, but at the moment there are no vacancies, and she has to begin her labor activity in a canteen. And after a local kinder garden is left without a mentor, nobody can fancy a better candidate that Nastya. She loves kids, and the main thing is that the feeling is mutual. Once during a storm an accident happens a motor-launch, carrying workers across a river, crashes. Three children become orphans. Nastya doesnt let the construction head send them to the orphanage and decides to adopt them.

1928. Winter. Unprecedented construction of a giant plant Uralmash is getting under way. Rushing time of first five-year plans, incredible enthusiasm, inconceivable raging imagination, and also sabotages, provocation, suspiciousness, denunciation, famine and unsettled domestic life. And people of that time are the same, straight-out, resolute, goal-oriented, and moving towards the aim regardless of their own health. So is a main character a new head of the plant, a former Red Army cavalryman Alexander Bannikov (V.Gaev). He leads construction works as if he is marches into battle. It is exactly the kind of people of whom people say he lives for his work, and how one cant live for his work if at the height of the construction Moscow sends an order to stop it short.