Bassem Fayad

Inspired by the student revolutions of 1968, two women in Germany and Japan set out to plot world revolution as leaders of the Baader Meinhof Group and the Japanese Red Army. What were they fighting for and what have we learned?

After surviving a car crash in the middle of Lebanon's isolated Beqaa Valley, an amnesiac man finds himself held hostage on a local farm that doubles as an illegal drug-production facility.

In the fading grandeur of downtown Cairo, Khalid, a 35-year-old filmmaker is struggling to make a film that captures the pulse of his city at a moment when all around him dreams as much as buildings are disintegrating. With the help of his friends who send him footage from their lives in Beirut, Baghdad and Berlin, he finds the strength to keep going through the difficulty and beauty of living IN THE LAST DAYS OF THE CITY.

Merowe Dam in North Sudan. Maher works in a traditional brickyard fed by the waters of the Nile. Every evening, he secretly wanders off into the desert to erect a mysterious construction made of mud. Despite a disturbing wound in his lower back that seems to be eating away at his skin, he continues his labor day after day. While the Sudanese people rise to claim their freedom, his mud creation starts slowly to take a life of its own.

It's autumn. A man and a woman are about to leave a restaurant situated in the heart of the Lebanese mountains. They are suprised by fighter planes screaming past at low altitude. In the distance, war seems to be breaking out once more. Losing sight of the woman, the man starts looking for her. He finds her on the other side of the mountain. Together they sink deeper into nature, which becomes increasingly spectral, just like the slender thread that ties them to each other.

In Beirut on September 22, 2024, just hours before bombing escalated throughout the country, the Lebanese French actress Manal Issa considers the role of the actor during the unfolding global conflict.

Halil spends his nights in a watchtower waiting for an enemy that doesn’t arrive, until suddenly strange lights appear on the horizon. Ali Cherri creates a universe in which a suspended and void time opens the door to ghostly presences from a past made of war. Shot with an extreme and detailed precision of vision and sound, The Watchman is an urgent film that deconstructs the myth of duty, laying bare the absurdity of the omnipresent war rhetoric.

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Fifty-five-year-old Nayla is a supervisor at a factory in a Beirut suburb, and struggles to ensure her family’s survival. The war in the south of the country threatens to spill over at any moment, in a country plagued by an economic collapse. Her unemployed, alcoholic husband Mounir, an ex-Civil War militiaman, spends his time watching television. The couple’s feeling of unease fluctuates between aggression and guilt. One night, their twenty-three-year-old daughter Rania knocks over a man while driving home. Nayla is caught up in a vicious circle: She finds herself with Rania, in hospital, facing a family from “the other side.” Animosity and curiosity alternate. For the first time in a long while, Nayla does some deep soul-searching. Her relationship with her husband worsens. But the injured man's condition suddenly deteriorates and he dies. Rania is taken to prison.

This hushed, pared-down essay weaves together different facts and myths surrounding the moon: images, texts, and sounds are spun into a dense, delicate tissue of ideas, with humans both at the centre and infinitely small in this celestial context.

A man and his tiny dog have something in common: obsessive compulsive anxiety disorder. Throughout their quest to heal, we dissect into pieces the surroundings - in its upbringing, fears and constant inner conflict. A memory is recalled; a memory filled with fear, violence, war, love and a past almost depicting itself again in the present and in the future. The setting is a family’s house. A father, a mother, sons, daughters and grandchildren living on a versant in Lebanon. The time is when beauty faded and ugliness and expiation prevailed. The man is the director, the dog is the mirror and the film is the instrument…

It is a long journey for a young man trying to discover himself, while his life oscillates between many contradictions and extremism in his depressing surroundings. His wife and mother are his only salvation.

In the northern mountains of Lebanon, a Syrian man hoping to reunite with family torn apart by war encounters two Palestinian children whose own stories of exile provide a glimpse into the uncertainties he must face as a refugee.