Takashi Nishihara

Inoue Momoko admires her late father, who was a pilot. She begins work as a co-pilot at a low-cost airline. Under Captain Shinkai Kohei’s instructions, who knew her father, Inoue Momoko works hard to become a captain and her boyfriend Umino Daisuke supports her dream too. One day, Inoue Momoko has a problem with a passenger complaining about the limit for carry-on baggage. At that time, Katsuki Tetsuya looks at the situation.

Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.

Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.

A man and a woman at the mercy of fate.

This documentary follows the daily lives of blind and deaf people: deaf-blind people living alone on Sado Island in Niigata Prefecture; a man in Ishinomaki City, Miyagi Prefecture, who chose to live in his community despite the earthquake and tsunami; a young man in Hiroshima who wants to be independent so that he can marry while continuing to practice judo; Professor Satoshi Fukushima of the University of Tokyo's Research Center for Advanced Science and Technology who became the first deaf-blind person to teach full-time at a university in the world.

Based on the play "Our Town" (written by Thornton Wilder), the daily life of a girl living in a rural town and the members of the theater company who are practicing the stage of Act 3 of "Our Town" are drawn alternately. Is done. The drama's words about the world in which the dead live overlap with the everyday life of a rural town and are projected onto the actors themselves. It is a work completed in the process with the actors.

In a country ruled by the Liberal Democratic Party, running on austerity and neoliberal ambitions, for most of its postwar years, gender and economic inequalities have become increasingly acute in Japan. Takashi Nishihara, a filmmaker who has been following the youth protests in Japan notices that there is one party that seems to be raising issues of gender and economic in the political sphere, the Japanese Communist Party (JCP), a party about to enter its hundredth year and consistently burdened by its historical connotations. Though an outsider of the party, Nishihara gained unprecedented access to the JCP and driven by his interest in the younger party members who find hope in the JCP, the resulting documentary goes beyond party politics and observes the current grassroots leftist movements in Japan. It also becomes witness to the larger and deep-seated patriarchal system that continues to quell momentums of hope.