
Iberê Carvalho
Directing
Known For

Physicists and doctors race to contain a massive radiological disaster and save thousands of lives.
Radioactive Emergency

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Candango: Memoirs from a Festival

When returning to his hometown with his ill mother, Marlombrando meets again his father and the Drive-in cinema where he spent his childhood. Almeida keeps the cinema functioning with the assistance of only two employees: Paula, who takes care of the projection and the snack bar; Jose, an old friend of Almeida, who helps selling tickets at the cashier and cleaning up the place. The arrival of Marlombrando and the demolition threatening of the Drive-in will bring new directions to their lives.
The Last Drive-In Theater

On the night of the return to the stage of a famous rock band from the 1980s, a video that involves the band`s lead singer Aurélio Sá in the death of a military policeman, goes viral.
The Friendly Man

Maria is a very dedicated mother who takes care of her daughter, Elza and her husband, Osvaldo, with love and affection. To do this, Maria had to give up one of her biggest dreams, which was to be a singer, and instead went to work in a building in Brasília. One day, Elza was selected to compose a musical and in this offer, Maria found the perfect chance to revive her dream in her daughter, doing everything to make the girl experience this show.
MARIA

The film promotes the meeting of two characters that could be opposites: Móveis Coloniais de Acaju, a band with an unusual sound and doomed to failure, and Brasília, the country's capital planned to suceed.
Mobília em Casa – Móveis Coloniais de Acaju e a Cidade
No description available.
Para Pedir Perdão
No description available.