Andrea Capella

Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.

Geierwally, who earned her name through a bitter fight with a bird of prey, refuses to marry Vinzenz, the heir apparent assigned to her by her father, and lives a secluded life in a mountain hut. Her love for Bärenjosef seems hopeless, especially since he knows nothing of Wally's love. She becomes increasingly isolated, becomes the laughing stock of the village, and misunderstandings arise because Bärenjosef's sister Afra is mistakenly regarded as his “girlfriend.” Wally then decides that she would rather have Josef dead than not at all...

An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.

Joy is a fable about courage and youth. It tells the story of Luiza, 16 year old girl, who can not stand to hear about the end of the world… On a Christmas night, his cousin John is mysteriously shot in a street in the Lowlands and disappears into the night. Weeks later, while Luiza spends days alone in the apartment where he lives with his mother in Rio de Janeiro, a mysterious visitor comes knocking on your door: John, as a ghost, asking to hide there.

Ten years after the end of the dance music duo Verona, Elias come back to Brazil to meet his former partner, Walter, who is going to marry the young and talented Filipe. Walter lives in a countryside house, where he celebrates the end of his youth and the beginning of a new moment in his life.

In this visual essay, Ana Costa Ribeiro uses personal archives to delve into the adventurous, relatively short life of her grandfather Joaquim da Costa Ribeiro, a pioneer in experimental physics in Brazil in the middle of the last century. He was the discoverer of the thermodielectric effect: “something to do with lightning,” as it was explained in a child’s terms to his granddaughter.

Two twenty-something boys in a public restroom. They sniff coke, talk about sex, get dirty. But the film takes on another tone as they reveal what it is that they really want.

One day and one night, in a rustic country house rented by Luciana and Marcelo, who—despite having been together for eight years—have never been openly serious about their relationship. Their neighbors and friends, Cláudio and Fabiana, are seemingly happy. But it only takes getting to know them better to realize they have a very toxic relationship. Paula, Marcelo’s friend since his teens, soon understands she is entering a minefield. She decides to have a fun weekend despite the conflicts she might spark.

Dora is a German-raised teenager visiting her enigmatic Brazilian grandmother for the first time. While trying to return to Germany at all costs, she discovers the incredible history behind the women of her family.

Maternity is instinctive or is it a social construction? How can a period surrounded by expectations of happiness and achievement be, at the same time, such an anticlimax, so exhausting and melancholy? A director-mother talks to other mothers about the maternal instinct, guilt and loneliness, reflecting on the complexities and riches of maternity.

In this romcom stained with Brazilian queerness, João used to think the butterflies in his stomach were dead. When he falls in love with Lucas, his best friend, something weird starts happening in his belly. Maybe he has zombie butterflies.

Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.

Although Fatima, Brandy, Ana and Cecilia have never met, their life stories seem connected. Despite their difference in age, origin and skin color, they are all Latin American women affected by violence. Set in Mexico, Honduras, Brazil and Argentina, this full-length documentary recounts their stories of vulnerability and strength. Despite all these contrasts, their stories align and rhyme with each other.

Located at the intersection of disability and queerness, this documentary enriches, implicates, and breaks open the conversation around sexual life in the disabled community. This film does not shy away from the complexities and challenges of queer life, but rather embraces them and in doing so, illuminates how they impact one another and bring new dimensionality to the position of the body within them. Resisting a normative lens, this filmmaker uses the observational power of the camera to document the raw sexuality, fantasies, and erotic expressions of a wide array of subjects with rare candor and vulnerability. Embodied sexual explorations are balanced against interviews that in their frankness and insightfulness criticize and deepen the lacking conversation around this intersection in the wider discourse.

Two young men share different points of view of the same sexual encounter in a public space.

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They met in the summer, in the rain. A film of carnival and silence. His Name (The Clown) is a surface film – based on newspaper news and daily life in large Brazilian cities, but without any direct link to any real event. Violence, joy and silence are worked on in the film in order to build a space where characters are as real as they are intangible – in a narrative of short marked sequences, in which a whirlwind of events mixes with a stitching of fragments and gaps: He is a quiet man and divides his time between his violent work in downtown Rio de Janeiro and his boarding house in Catumbi. She is the girl who appears in his life, on a rainy afternoon – and soon things start to go by very quickly. A film of carnival and silence, of love and anger – of apathy and will. A chronicle of the conflicts and festivities of a city sewn between hills, forests and cement. A tribute to Rio, perhaps?

Rodrigo and Suzana have started a relationship recently. He's seventy-two, she's sixty, and they are completely in love with each other. Together, they spend days in bed, talking, eating, laughing and making love.