Writing
In a cluttered attic studio, a former actress and her younger male artist's model engage in an escalating role-playing session.
The youngest daughter of a divorced woman seeks an independent career, resisting her mother's pressure to make herself desirable for marriage as her sister prepares for her own nuptials.
Mark, a cameraman who aspires to work on serious Hollywood films but can only find work making porno loops, turns to murder when his personal and professional frustrations reach their breaking point.
A lone soldier comes across a fallen comrade. Hearing shots, he takes a position and takes aim, only to see the figure in front of him is not an enemy soldier, but something much vaguer in a robe.
Three vignettes involving protagonists seen and unseen illustrate ethical questions of the period about abuse, abortion, and racism.
One of the earliest multi-image presentations, creating four frames of action in a single screen, then subsequently layering full-size footage of a cavorting film crew over the four frames, creating a wall of visuals that overwhelm the viewer. Color 8mm UCLA Student Film, Preserved by the UCLA Film and Television Archive. "A whimsical entertaining psychedelic dada film, this is a New American Cinema experiment in the use of multiple imagery, not in superimposition, but in simultaneous projection on individual areas of the screen, accompanied by a lively folk-rock music track"--Creative Film Society 16 mm. film rental & sale catalogue, 1975. [does not have folk music]
Color UCLA Student Film shot on 8mm film, Preserved by the UCLA Film and Television Archive. "A whimsical entertaining psychedelic dada film, this is a New American Cinema experiment in the use of multiple imagery, not in superimposition, but in simultaneous projection on individual areas of the screen [...]"--Creative Film Society 16 mm. film rental & sale catalogue, 1975.
