Isabel Veiga

"For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation." Rainer Maria Rilke.

Seven adolescents take on the mission of filming, for one week, their family's housemaids and hand over the footage to the director to make a film. The images that confront us uncover the complex relationship that exists between housemaids and their employers, a relationship that confuses intimacy and power in the workplace and provides us with an insight into the echoes of a colonial past that linger in contemporary Brazil.

Ramon Alvarado is one of the most important figures of the 60s Amateur Cinema Cycle in Espírito Santo. Not only was Alvarado a prolific director of short films throughout his life, but he was also involved as the director of photography on many other important Espírito Santo film productions. Director and editor Vitor Graize brings forth archival images to add deeper layers of meaning to Alvarado’s recollections.

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Jockey Club. Rio de Janeiro, August 7th. Hats circulate through the halls of the Brazilian Grand Prix.

The turn of the year is approaching for friends Day, Samantha, Luzia and Jurema. Along with it, the Ciclo de Reis takes place, a festive-religious period that confronts their lives. (João Cabral, Juazeiro do Norte-CE).