Editing
Estamira is a 63-year-old woman who suffers from schizophrenia. She leads a tough life and has supported herself for the past 20 years by picking through garbage at the Jardim Gramacho Disposal Area in Rio de Janeiro. The film follows her starting in 2000, the year she begins treatment in a psychiatric clinic. At first, it is hard to understand her in her stream-of-consciousness sentences, delusions and obsessions. Gradually, however, we get to know her as a woman who can have quiet and lucid moments despite her illness.
Musical drama that uses popular myths of Brazilian culture to narrate a story full of meetings and misunderstandings, betrayals and loves, crimes and punishments. Against the backdrop of the Pernambuco backlands – its people and its culture, the cordel, the bandits, the cinema and the circus – the film is a universal drama, laden with unique poetry, where reality and the dreamworld mingle.
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The documentary Migliaccio - O Brasileiro em Cena follows the path of those who take risks for the art, either as directors, as writers, as scenographers and even as costume designers. The Oscarito trophy received by Flávio Migliaccio in 2014 Gramado Film Festival crowns a career enmeshed by many threads. Since Migliaccio has performed in different fields of art - from cinema and theater to literature and drawing -, the documentary creates varied visual interventions to enchain the narrative, in addition to the interviews and archive pictures, such as a shadow play to represent his humble childhood, and to the cartoons the artist drew to portray his existential questions in his ranch in Rio Bonito (State of Rio de Janeiro). Images and stories that aim to show a professional and personal life pervaded by possibilities and attitudes, both artistic and political.
The Detetives do Prédio Azul are faced with the biggest case of their lives: saving the building itself from destruction. Pippo, Sol and Bento infiltrate Dona Leocádia's party, the terrible manager who is literally a witch. There they witness a "magical" crime, which condemns the Blue Building to an emergency demolition.
In Rio de Janeiro, the teenagers Lia and Rodrigo have opposite behaviors and personalities. The clumsy Rodrigo is responsible and good student, while the emancipated Lia is totally irresponsible. They have their first sexual intercourse together on April 23rd, and they schedule to meet each other every year in the same date. Along the years, Rodrigo graduates in engineering and gets married with Clara (Christine Fernandes), having a son. The single mother Lia has a life without any commitment, moves to Paris and comes back to Brazil later. After a comedown, Rodrigo leaves his family and quits his job to live with Lia. Written by Claudio Carvalho, Rio de Janeiro, Brazil
When two friends fall in love with the same girl, the situation can be complicated. Especially if that girl is Dora, recently widowed, and if the friends are André and Lucas, childhood friends of Narciso, her late husband. Too soon for Dora to open up to a new love, the two friends begin a fun dispute for a chance at the widow's heart and in the midst of their grief they discover that Narcissus was perhaps not the great friend they thought.
The story of Rio de Janeiro’s movie theaters and the radical transformation they have endured since the invention of Cinema.
David, a rock singer, and Didi, his assistant, are transported to a distant world. They must help princess Allim to face the evil Vizir, who wants to become king by marrying her.
The film tells a little of the history of Brazil immersed in the caricature of the conditions of making cinema in this country. Flora and Carlos Manoel fall in love. She, from a family linked to the Monarchy, and he, a republican activist, live their love in the last days of the monarchy, without knowing that the end of the empire would also mean the end of their romance.
