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Mack Gordon

Mack Gordon

Sound

Known For

The Gay Divorcee
6.9

Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.

The Gay Divorcee

1934
Florida Special
7.0

A Florida-bound train is filled with romance and intrigue when one of the passengers disappears while carrying $11-million in unset jewels.

Florida Special

1936
Summer Stock
6.7

To Jane Falbury's New England farm comes a troup of actors to put up a show, invited by Jane's sister. At first reluctant she has them do farm chores in exchange for food. Her reluctance becomes attraction when she falls in love with the director, Joe, who happens to be her sister's fiance.

Summer Stock

1950
We're Not Dressing
6.7

Beautiful high society type Doris Worthington is entertaining guests on her yacht in the Pacific when it hits a reef and sinks. She makes her way to an island with the help of singing sailor Stephen Jones. Her friend Edith, Uncle Hubert, and Princes Michael and Alexander make it to the same island but all prove to be useless in the art of survival. The sailor is the only one with the practical knowhow to survive but Doris and the others snub his leadership offer. That is until he starts a clam bake and wafts the fumes in their starving faces. The group gradually gives into his leadership, the only question now is if Doris will give into his charms.

We're Not Dressing

1934
You Can't Have Everything
6.5

Starving playwright Judith Wells meets playboy writer of musicals, George Macrae, over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she pretends to despise. But just when their romance is going well, Gordon's former flame Lulu reveals the ace up her sleeve...

You Can't Have Everything

1937
The Old-Fashioned Way
7.2

The Great McGonigle and his troupe of third-rate vaudevillians manage to stay one step ahead of the bill collectors and the sheriff.

The Old-Fashioned Way

1934
Pointed Heels
6.3

Fay Wray plays a beautiful showgirl who falls for a rich Park Avenue guy played by Phillips Holmes. William Powell is a producer in love with Miss Wray, but he won't use his influence to take any advantage... as usual, he's a perfect gentleman.

Pointed Heels

1929
Collegiate
7.0

A Broadway playboy inherits an almost bankrupt girls' school and tries to save it by a big show.

Collegiate

1936
The Girl Next Door
5.0

Stage-and-night club star Jeannie Laird buys her first home, and everyone who is anyone comes to her first garden party only to be blinded by smoke from next door. Jeannie charges next door to bawl out her new neighbor and meets comic-strip artist Bill Carter. Bill has devoted himself to his strip, and raising his ten-year-old son Joe since the death of his wife. Joe bases his strip on the everyday happenings of he and his son and is proud of keeping it scrupulously honest. When Jeannie and Bill fall in love, young Joe is hurt, especially when Bill starts using a lot of the father-son time to be with Jeannie. Bill cancels a father-son trip to Canada, and Joe decides to write a letter to Bill's syndicate pointing out that the current plot line of the script being set in Canada isn't honest, since they didn't go.

The Girl Next Door

1953
Hello, Frisco, Hello
6.4

In turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress.

Hello, Frisco, Hello

1943
Mother Wore Tights
5.7

In this chronicle of a vaudeville family, Myrtle McKinley (class of 1900) goes to San Francisco to attend business school, but ends up in a chorus line. Soon, star Frank Burt notices her talent, hires her for a "two-act", then marries her. Incidents of the marriage and the growing pains of eldest daughter Miriam are followed, interspersed with nostalgic musical numbers.

Mother Wore Tights

1947
Pin Up Girl
6.3

Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into government service (not, as she fantasizes, to join the USO). On a side trip to New York, her vivid imagination leads her to True Love with naval hero Tommy Dooley; but increasingly involved Musical Comedy Complications follow.

Pin Up Girl

1944
Call Me Mister
6.8

A G.I. in occupied Japan tries to re-woo his old love, who's putting on a show for the troops.

Call Me Mister

1951
Four Jills in a Jeep
6.8

Reenactments of actual USO experiences of its female stars entertaining troops overseas.

Four Jills in a Jeep

1944
No image
8.0

This short plugs the new tunes written by Mack Gordon and Harry Revel for the movie "College Rhythm" and shows the audience how they were written and rehearsed. Naturally it also advertises the movie.

Hollywood Rhythm

1934
You're My Everything
4.8

In 1924, stage-struck Boston blueblood Hannah Adams picks up musical star Tim O'Connor and takes him home for dinner. One thing leads to another, and when Tim's show rolls on to Chicago a new Mrs. O'Connor comes along as incompetent chorus girl. Hollywood beckons, and we follow the star careers of the O'Connor family in silents and talkies.

You're My Everything

1949
Tin Pan Alley
5.4

Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited when the boys, now in the army, show up in England.

Tin Pan Alley

1940
Irish Eyes Are Smiling
5.8

Climbing to fame, Irish-American composer Ernest R. Ball romances a showgirl, who catches the eye of an underworld character.

Irish Eyes Are Smiling

1944
Hollywood on Parade
6.5

A short featuring many stars

Hollywood on Parade

1932
Hollywood on Parade No. B-9
N/A

Jimmy Durante asks popular song writing team Mack Gordon and Harry Revel to demonstrate some of their songs. There is interplay with impersonator Florence Desmond, Ben Turpin, Rudy Vallee and many others. Sometimes this film is incorrectly labelled as A-2. In the Criteron Pictures rerelease, this has an incorrect copyright date of 1932.

Hollywood on Parade No. B-9

1934