Ivan Acher

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Urban, an orphan, serves a greedy master watchmaker as an apprentice. When Urban grows up, he falls in love with the watchmaker's daughter Laura and wants to marry her. Before this can happen, the master sends his apprentice out into the world with the task of looking for a mythical watch that can warn of death. No one knows if the watch even exists, but if Urban doesn't bring it back, Laura will never be his wife. The watchmaker's apprentice therefore sets out on a long journey full of hardships, which he must overcome with bravery, skill and a good heart.

Romi, a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz, the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a "wealthy Jew". He does not demand any sexual services of her. He satisfies himself with Romi telling him stories, for which he lavishly rewards her. However, no one shares the sudden happiness with Romi. Her workmates and current clients turn their backs on her, as does Franz, with whom Romi is in love. The whole story takes place in the setting of a dilapidated city, during the clean-up of which politicians openly split their profit with speculators and lobbyists, all under protection from the police.

Returning to their ancestral lands, descendants of a formerly aristocratic family hunt for mythical creatures that occupy the nearby wilderness.

What was the iconic theater scene and its creators like? The final stage of the Prague Chamber Theater, which provoked, shocked, and fascinated audiences for ten seasons at the Komedie Theater.

This existential drama depicts a godless and stressed family whose members do not live happy lives. A household without joy and pervaded by nervousness, dissatisfaction, and frustration creates an oppressive atmosphere. Everyone hides their desires and dreams within themselves. Unexpectedly, a bigoted grandmother visits this family and begins to "save" them. The mother, father, and teenage daughter are exposed to her criticism on a daily basis, and the grandmother's idea of redemption is forcefully imposed on them. The family undergoes a forced transformation, especially when apparent miracles begin to happen. However, this process increasingly repels the granddaughter, who is experiencing her own adolescent problems, and her clash with her grandmother ends in tragedy.

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Trapped in an abusive marriage, a wealthy German prince desperately seeks a way out. But what appears to be the road to salvation soon turns into a highway to hell. The universal language of music meets the international language of Esperanto in this debut opera by Ivan Acher. The carpenter, forest worker, designer and composer has cleverly blended electro-acoustic and contemporary music to breathe life into Ladislav Klíma’s expressionist novel, The Sufferings of Prince Sternenhoch.

Explosive conversational comedy based on the successful theater plays, which takes place one evening in a remote local pub, during the match of Ice Hockey World Championship. What can happen and can be told, when the kidnapped bride is getting drunk together with the best woman of her husband and experienced barmaid and the only one, who is able to stop and save everything, is not coming.

The world I believed in is slowly disappearing. It started with crucifixion and the end of matriarchy. Since then, the powerful have been murdering in the name of good. The end of matriarchy and crucifixion. Symbols of ruin. I am an old, tired, white, heterosexual macho man. I received a photo from my deceased friend, a gay man. A photo of a beautiful naked girl. I took advantage of it, undressed eleven beautiful girls, and made a film.

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Amidst today’s urban jungle of concrete, glass and metal, it is easy to forget that we actually live in the territory formerly dominated by wildlife. Many of its members have been exterminated by humans, while others have fled the sprawling urbanization to the surrounding countryside. It is their survival strategies that get revealed in exciting detail in the documentary series, Planet Czechia. For two years, a team of camera operators headed by Jan Hošek were recording a life cycle of Prague’s wild animal world across all seasons of the year. The film, accompanied by the commentary read by the actor Jiří Macháček, registers everyday struggles of the fat dormouse, the mouflon, blackbirds or the water hen, teaching the viewers in a casual manner a higher degree of tolerance toward the city’s overlooked inhabitants.

“Most prisoners like boxes.” The constrained nature of prisons opens up an infinitude of fantasies and free artistic expression. Environment determines means of expression. A project of confrontation and dialogue with artists from the outside shows radical diff erences and a conspiratory divergence from social norms. This essay on imaginary and physical freedom introduces us to the extreme thoughts of our own boundaries and limitations.

Tůma's film is a sovereign cinematographic space, which, broken up into many chapters, takes an unconventional look at contemporary Czech society. The opening political grotesque on the election of the President is drowned out by the ecstatic ramblings of philosophising (and chattering) fragments turning on the sought-out axis of life and the world, and especially the inward-looking images full of colourful objectivity and charming humour that is elevated to the level of pure poetry.