Élizabeth Mazev

Mira is an American movie star disillusioned by her career and a recent breakup, who comes to France to star as “Irma Vep” in a remake of the French silent film classic, “Les Vampires.” Set against the backdrop of a lurid crime thriller, Mira struggles as the distinctions between herself and the character she plays begin to blur and merge.

In the aftermath of WWI, a young German who grieves the death of her fiancé in France meets a mysterious French man who visits the fiance’s grave to lay flowers.

A middle-class house in the middle of nowhere. A council estate in Sète. A mother and daughter. Two childhood friends. A vanishing. Blackmail. A clash between two worlds.

A book editor juggles relationships with two women while coping with his best friend's terminal illness.

The film tells the story of Malony and his education as he grows from a six-year-old into an 18-year-old. A minors’ judge and a caseworker work tirelessly to try to save the young offender.

During the 1970s a student named Gilles gets entangled in contemporary political turmoils although he would rather just be a creative artist. While torn between his solidarity to his friends and his personal ambitions he falls in love with Christine.

Emma loves Sammy, who loves Cyril, who loves her back. What could have been a love story at the end of the last century is blown apart by the arrival of AIDS. Expecting the worst, each character's destiny takes an unexpected turn.

In 2020, the greatest minds in France gather at the President’s home in order to save the country from catastrophe.

Ponzi, from his arrival in Boston in 1903, to hi death in Rio in 1949. He made himself famous in inventing the first fraud of modern times on a large scale, and inspired Bernard Madoff.

A staging of Jean-Luc Lagarce's play "It's Only the End of the World" by François Berreur.

During a documentary shoot, Cheun, a beloved traffic warden, gets into trouble with a local inspector. On Rue Clignancourt, his resignation has the effect of a street light going out. In this new darkness, a filmmaker must rediscover his humanity, while Cheun must continue to invent his cinema. The rest doesn’t matter.

A staging of Olivier Py's play "Adagio (Mitterrand, le secret et la mort)" by himself.

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A staging of Paul Claudel's play "The Satin Slipper" by Olivier Py.

A staging of Olivier Py's play "Illusions comiques" by himself.