Roland Javornik
Writing
Known For

Spoed is a Belgian action drama TV series produced in the Dutch language in Belgium since 2000. The series is also shown on both Flemish/Belgian TV and Dutch TV. The series is directed by Johan Thiels and Guy Thys. The series has produced 217 episodes to date. It may be compared to the American TV programs ER or Chicago Hope.
Spoed

Witse is a Dutch language crime drama produced by Belgian broadcaster VRT and broadcast on their één channel. It is also shown on BVN. First broadcast in 2004, as of 2010 the programme comprises eight series with a ninth and final series planned for 2012. It stars Hubert Damen as the eponymous Witse, a driven inspector in the Belgian federal police based in Halle. It is one of the most popular Flemish television programmes with some 1.6 million viewers. There are also Witse books. The first three were based on the last two episodes of each season, but since 2010 every six months a brand new story is published, written and invented by established Belgian writers, as Bob Van Laerhoven and Bart Van Lierde. The music for Witse is composed by Steve Willaert.
Witse

Marie and Steven appear to be a happy couple, but Steven's secret relationship with another man begins to threaten his idyllic home life.
Fair Play

Snickers is a lonely mouse in a pet shop, craving to be bought by someone. But he has got one big problem: his huge ears. The kids entering the store keep laughing at him. Will Snickers find the buddy he so desires, someone who will take him for who he is?
Mouse for Sale
A day in the life of three inhabitants of Hasaluth in 1951.
Motionless Explosions

Every year, thousands of visitors make the pilgrimage to Antwerp for the largest indoor gay fetish event in the world. Through the eyes of the Jeroen, and his sister, straight Nathalie, both of the masterminds behind the event, this sensitive documentary offers an unprecedented account of a journey that sees taboos challenged and leaves audiences enthralled. In "Darklands", sensitive topics like sexual identity and fetishism are approached in a poignant and non-explicit way, while tantalising secrets behind the festival's genesis are revealed.