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Artur Semedo

Artur Semedo

Acting

Biography

Before becoming a director, screenwriter, and producer, Artur Semedo enjoyed success as an actor on stage, television, and in feature films from 1949 through 1965. Semedo spent the years 1962 through 1965 working in Brazil.

Known For

Le Comte de Monte-Cristo
6.5

No description available.

Le Comte de Monte-Cristo

1979
Já Está
N/A

No description available.

Já Está

1987
Joaquim Letria
N/A

No description available.

Joaquim Letria

1990
The State of Things
6.4

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

The State of Things

1982
No image
9.0

"Humor de Perdição" was a humorous television program, broadcast by RTP in 1987

Humor de Perdição

1988
A Estrangeira
7.5

The shady side of an Italian textile trade in northern Germany is the subject of this slow-paced but atmospheric drama featuring Alberto Sordi as Totonno, a low-level, petty criminal anxious to move up a somewhat crooked ladder. Rising to the rank of the "dons" -- Don Raffaele (Carmine Ippolito) or Don Gennaro (Pasquale Cenammo) -- is not an easy task, as Totonno is about to find out. In the meantime, Paula (Belinda Lee) provides a romantic distraction, and another would-be entrepreneur opts for the straight and narrow. This uneven feature offers some colorful performances but the sum is less convincing than its parts.

A Estrangeira

1982
Crônica da Cidade Amada
7.0

Eleven small stories, loving chronicles about Rio de Janeiro and its people, written by some of the best Brazilian writers of the time.

Crônica da Cidade Amada

1965
História do Cinema Português
N/A

No description available.

História do Cinema Português

2001
The Assignment
6.8

A Swedish diplomat travels to a civil war in a Latin American country. His mission is to mediate between the two extremist groups.

The Assignment

1977
Aqui D'El Rei!
6.6

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity worries the State.

Aqui D'El Rei!

1992
As aventuras de Eva
7.0

No description available.

As aventuras de Eva

1961
Chronicle of Good Hoodlums
6.0

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Chronicle of Good Hoodlums

1984
The Ghosts of Alcacer-Kibir
6.3

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.

The Ghosts of Alcacer-Kibir

1976
The Territory
6.0

A small group of well-to-do vacationers go on a hiking trip into the woods just to find themselves mysteriously lost.

The Territory

1981
Nazaré
6.9

The sea, often treacherous, is the only source of living of the people of Nazaré. The film tells the story of António and his family, where no dreams are allowed. There is also the mourning of the woman in black wailing silently on the beach or waiting for their children lost in the sea.

Nazaré

1952
O Cerro dos Enforcados
8.0

15th century. D. Afonso, an old jealous nobleman, demands that all stay away when his wife, D. Leonor, goes to church to pray to Our Lady of Mercês. Another nobleman, D. Rui, sees her and fells under the spell or he beauty. D. Afonso orders his wife to retreat to Quinta do Cabril, and decides, one night, to stab his rival to death. It is then that a hanged man decides to intervene. - MOTELx

O Cerro dos Enforcados

1954
Madrugada
8.0

A young agricultural conductor, Pedro goes to Alentejo to work in a farm, in March 1974. The contact with the workers and the experience of their problems make him aware of the exploitation to which they are subject. Such an attitude is not understandable to the workers - coming from the son of a friend of the boss.

Madrugada

1978
The Guns and the People
7.4

Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnation Revolution", as that period would be later known.

The Guns and the People

1977
The Circus
7.2

Tony, a trapeze artist, gets a job at a small circus. When a tempest takes away the tent, Tony stays for the love of the beautiful Belmira who could be a rider… if they hadn’t sold the horse. They play at open-air, sleep under the stars, scrimp and save every penny, and soon there’s a new tent to be bought on credit. But Belmira is not happy, she dreams of a real home, while Tony is fascinated by the circus. And the gloomy days are back.

The Circus

1951
Saudades Para Dona Genciana
10.0

Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.

Saudades Para Dona Genciana

1986