Martin Fox

Sensing Murder is a television series from New Zealand and Australia, in which psychics are asked to act as psychic detectives to help provide evidence that might be useful in solving famous unsolved murder cases in each country by communicating with the deceased victims.

Tells the true story of the residents at Dalkeith Residential Home who sit around every day just waiting to die until staff buy them a greyhound. Naming the dog Dalkeith after the home, they discover she is a phenomenal runner and she is soon entered into the greyhound races. Soon residents are betting on the outcome of the races, and they are given a new reason to live. But the board of trustees learn what is going on, through the disgruntled daughter of one of the residents, and heavily handedly put an end to the fun and games. After the board's intervention the residents sink into a new form of despair as life becomes even duller and more boring than before. That is until the aloof pensioner, played by Ray Barrett, reveals he was once a high profile barrister and challenges the decision in court.

Are eligible Indigenous bachelors an endangered demographic in the 21st century? That’s the question cheekily posed by Tracey Rigney’s debut documentary short, which invites First Nations individuals to confide what they desire, what holds them back, and their hopes and worries about whether they’ll ever find The One. Endangered first screened at the Melbourne International Film Festival in 2005.

Renowned Australian artist William Yang traces the labyrinthine web of his family history in this adaptation of his iconic live performance piece. William was born and raised in North Queensland, his grandparents having migrated from China to the Top End during the 1880s gold rush. Yet it was not until mid-life that he claimed his Chinese heritage, which had hitherto been lost to him by his complete assimilation into the Australian way of life. William's transatlantic exploration of his genealogy unites him with scores of relatives from all walks of life, some rich, but most ordinary folk with menial jobs, and most cannot speak a word of Chinese. A visual feast, Blood Links examines how the Chinese diaspora establish roots in foreign soil, and how over the generations, through intermarriage, blood is mixed; yet the intricate bonds of family remain.

The Eureka Stockade was a civilian revolt against the gold licence. Drawings and archival photographs depict the events that lead to the battle between gold miners and authorities at the Eureka Stockade. It describes the emergence of Peter Lalor as the leader of the Stockade and how the diggers used the Southern Cross flag.

In the ’70s and ’80s, photographer William Yang captured Sydney’s emerging artistic, literary, theatrical and queer circles; as well as his friendships with artists, writers and fashion designers such as Brett Whiteley, Patrick White, Linda Jackson and Jenny Kee. With myriad images and his trademark candid narration, Yang leads us though this beguilingly decadent and creative era.

Photographer William Yang came out in Sydney in the early 70s, a period of great social change. "I never consciously came out as a gay man, I was swept out by events at the time." He has seen the formation of a gay activist culture in the 70s, the commercialization of the gay scene in the 80s, and lived through the devastating effects of AIDS in the early 90s. With myriad images and his trademark candid narration, Yang leads us though this beguiling era of sexual discovery, politics, love and loss.