Vratislav Marek

A remake of Vávra's 1948 atomic age thriller Krakatit. Engineer Prokop creates the devastating explosive “Krakatit” and soon confronts manipulative agents and imperialist conspiracies. Realizing his invention’s threat, he fights to prevent its misuse, risking everything to stop those who seek to exploit his epochal discovery.

Mr Jiš managed to give his first script at Barrandov. Already in the preparatory phase, he discovers with horror that the filmmakers have completely bypassed his intention - instead of a probe into the life of a contemporary village, they are preparing a spectacular musical show, which they are convinced will be a hit with the audience. The very first shots speak volumes. An elegiac arrives in the village of Lipovec and is greeted with singing and dancing by all the local officials and ordinary citizens, as this coveted expert is to help them increase their hectare yields with his progressive methods. The filming continues in a similar vein, and the newly minted screenwriter can't help but wonder...

The future communist journalist Julius Fučík had a stimulating childhood and youth in a working-class environment, when his moral maturity was already showing. The authors of the film recall that the young Julek was a star of the suburban operetta scene, and in three episodes they depict him both in his early childhood and already at the gymnasium, when the outbreak of the World War shaped his determination.

The economic crisis in the early 1930s also affected the inhabitants of the distinctive Moravian-Slovak countryside. The protagonist and his family returned to their native cottage from the city because he could not find work anywhere. But his younger brother does not welcome him with open arms...

This documentary-style story tells the story of an aspiring documentary filmmaker who is preparing a film about the history of glassmaking. He is honestly gathering information, slowly getting closer to an unknown and not always accessible environment, to people, whose actions he often doesn't understand because he misses their motivations... Shards for Eva is certainly not a skillfully wrought work, but it certainly impresses with its sense of at least partial capture of everyday reality.

Happily ever after has a bumpy start for a young couple in a magical land when the husband is sent off to battle by a jealous prince.

A budding teacher comes from Prague to the South Bohemian district town where her fiancé Jakub, a young promising engineer at the local paper mill, lives. Petra is getting to know her new colleagues at school and the children in her new class, and is practicing hard with the Komenium music group, whose members she has known since her studies. She also gets to know Jakub's colleagues and the director of the paper mill, to whose position Jakub would like to be appointed after his retirement. It is this desire for a high position that leads Jakub to behave and act in a way that Petra cannot approve of.

In a South Bohemian village in the middle of silver ponds and dark forests lives Jindřich (Radek Valenta), who one day goes out into the world with a firm decision to free the cursed princess. On the way, he reaches a haunted mill, where the beautiful Eliška (Andrea Černá) lives with her father. Eliška likes the young man, so she tells him that the cursed princess is in the pond and Jindřich remains in the mill as a helper. However, the devil and the waterman, who like Eliška, don't like that. With the help of various intrigues and incantations, they try to expel Jindřich from the mill, but soon a third groom appears there - an old rich man. However, since Eliška rejects all the suitors, the miller's father gets angry and gives her an ultimatum: either she chooses a suitor herself by the full moon, or the one who asks for her hand first gets her. So a fight ensues between the grooms...

The story takes place in the Czech-German border region in 1938. The hero Tomás Jakl marries but the marriage is not very lucky and falls apart. His German friend forced him to enter the Nazi party.

A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!