Werner Dütsch

Annual awarding of the Grimme Awards.

Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.

Scientific documentary film exposing the cencorship laws in the BRD as an instrument used for propaganda. Its the third part of the "Bundesdeutsche Filmpolitik" Trilogie.

A look at how mall producers design malls in order to maximise traffic and sales.

In BLUE-EYED, we join a group of 40 teachers, police, school administrators and social workers in Kansas City - blacks, Hispanics, whites, women and men. The blue-eyed members are subjected to pseudo-scientific explanations of their inferiority, culturally biased IQ tests and blatant discrimination. In just a few hours under Ms. Elliott's withering regime, we watch grown professionals become despondent and distracted, stumbling over the simplest commands.

Excerpts from the novel Donna di Messina (1949 and 1964, 1967) by Elio Vittorini (1908-1966).

An experimental film portraying different skies in very long takes.

With their border crossings, transit routes and their control by the “Volks-Polizei” (GDR police), with their concrete slabs and their history of construction, reaching back to the “Reichsautobahn” of the National Socialist era, the AUTOBAHN east stands as an example of German and German-German history. With a flair for anecdotes and situations, big politics and the small folks along the side of the road, Gerd Kroske has filmed a documentary, which refers back to the educational films of the transit police and footage of surveillance cameras of the state security and shows much more than a piece of “civil engineering” history.

How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”, a “foreign homeland of reality”, where the pre-filmic, stripped of its immediacy, comes to its own right in the first place? Where in its mis-en-scène would be the line drawn to a fictional film, if drawing a line would succeed at all? These are the kind of questions this film essay on the history and aesthetics of documentary film deals with in its seven chapters.

What venture capital or VC for short actually means is explained in the film itself. Banks only lend money against collateral. Those who have none have to turn to VC companies and pay interest of 40%.

Home movies shot on Super 8mm by W+B Hein over 10 years.

In Italy, immediately subsequent to the war, a group of people who lost all they possessed during the conflict, settle in a village in ruins. They intend to restore the city from the rubble and re-start life, in imitation of the women of Messina who rebuilt their city, destroyed as it was by an earthquake. Oscillating between respect and suspicion, co-existence between group members is tense. Things become complicated when an envoy from the government arrives to say that nothing there belongs to them. The film is a free adaptation of fragments of the novella ‘The Women of Messina’, by Sicilian writer Elio Vittorini.

Interviews with six of the mass murderers from Sabra and Shatilla. The faces are in black and are not identifiable.

German TV Documentary for WDR about Fritz Lang

Documentary about the first German foreign deployment of German soldiers in Kosovo since the Second World War in 1995.

Portrait of director Roberto Rossellini and his films.

Television essay about Jean Renoir and his films, in which, among other things, the filming conditions of Partie de campagne are discussed.

An introduction to films by Peter Weiss: "Study II" (1952) "Study IV" (1954)" According to the Law" (1957) "Shaded Faces" (1956 ) "What should we do now? "(1958).

Film critic and scholar Helmut Färber recounts the the life and work of Erich von Stroheim

Route 181 is the epic record of a road trip undertaken in the summer of 2002 by two filmmakers, one Palestinian and one Israeli, along sections of what had been designated as the border between Israel and Palestine by U.N. Resolution 181 in 1947.