E. T. A. Hoffmann

When Clara’s mother leaves her a mysterious gift, she embarks on a journey to four secret realms—where she discovers her greatest strength could change the world.

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

On Christmas Eve in 1920s Vienna, a young girl named Mary and her brother are visited by their eccentric uncle Albert, who gifts a magical wooden nutcracker that comes to life and takes her to a fantasy world to fight the evil Rat King.

Daniel and Clara are on a vacation in Italy. In the form of the mysterious "Sandman" Coppola, a figure from Daniel's childhood, returns to haunt him, while he succumbs to an obsessive love with an enigmatic woman of strange beauty: Olympia, who might be far more than she first appears to be...

Based off of the novel, "The Nutcracker and the Mouse King" and the ballet, "The Nutcracker", Sanrio shows their take on the classic story in a stop-motion animated film.

About writing music for Tchaikovsky's ballet The Nutcracker.

A story about the devil's influence on five people's lives in 20th-century Venice.

Live from the Metropolitan Opera 19 December 2009.

A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.

To save her bedridden ex-military father, Clara must fight the spirits of the soldiers he killed on the battlefield in a surreal world known simply as the Below. She is aided by a mischievous toy nutcracker, her only guide in a place where the ghosts of the past run rampant.

The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. This spectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both showcased at the peak of their careers, with members of the American Ballet Theatre.

After young Clara receives a wooden nutcracker as a Christmas gift, she dreams about a fantastical battle between her Nutcracker Prince and the evil Mouse King. At stake is the Nutcracker's freedom - and Clara's future happiness.

A woman marries a gambler, thinking she could straighten him up, but he loses all their assets, even their own house, and tries to commit suicide. But one of the winners falls for his stepdaughter, and this could change the situation.

Coppélia, a mechanical doll made by the toy-maker Dr. Coppelius, is so life-like that some believe she is his daughter. The mistake leads to intrigue and jealousy in love. Directed by Ross MacGibbon, with Leanne Benjamin and Carlos Acosta.

This movie, directed by Richard Oswald, is based on the operetta "Les contes de Hoffmann" by Jacques Offenbach (1819-1880), which is a genial musical potpourri from various short stories and novels by the Prussian writer, composer, painter, lawyer and judge E.T.A. Hoffmann (1776-1822). While Hoffmann's literary work was longtime considered to be merely fantastical, it was finally researched, in the last years, according to its metaphysical background. Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques only described in the works of Bachtin and Bachelard.

Join Clara at a delightful Christmas Eve party that becomes a magical adventure once everyone else is tucked up in bed. Marvel at the brilliance of Tchaikovsky’s score, as Clara and her enchanted Nutcracker fight the Mouse King and visit the Sugar Plum Fairy in the glittering Kingdom of Sweets. Peter Wright’s much-loved production for The Royal Ballet, with gorgeous period designs by Julia Trevelyan Oman, keeps true to the spirit of this festive ballet classic, combining the thrill of the fairy tale with spectacular dancing.

On Christmas Eve, Marie is given a wooden nutcracker as a gift. When the clock strikes midnight, the Nutcracker transforms into a prince and saves Marie from the Mouse King and his army. This beloved holiday classic will enchant the whole family with its fairytale setting and Tchaikovsky’s timeless score. This live version of The Nutcracker, created for the Bolshoi by Yuri Grigorovich, is full of romanticism and philosophical reflections on ideal love.

On Christmas Eve, a little girl named Marie falls asleep and dreams herself into a fantastic world in which her toys become larger than life. She meets up with the Nutcracker Prince who takes her on a journey to his kingdom and defends her from the Mouse King.

On Christmas Eve, the parents of Clara and Fritz have invited guests. Among them is Clara’s godfather Drosselmeyer, who presents her with a nutcracker. Clara is delighted and finally falls asleep with her Christmas present tucked under her arm. But at midnight Drosselmeyer appears as a wizard and transforms the Nutcracker into a prince.

Young seminary student Franziskus has been ceremonially ordained. He wants to escape the harshness and injustice of the world and devote himself to the service of God in the quiet seclusion of a monastery. He is also hoping to forget the beautiful lady Aurelie, whose life he saved in a flooded brook and with whom he spent an amorous night. He knows that her father would never allow her to marry him. But the devil dressed in a monk's habit and under the name Viktorin intervenes in Franziskus's destiny and attempts to lead him astray. To do so he first uses the diabolical elixirs kept at the monastery as a rare relic. When the young monk gets expelled from the monastery, Viktorin prepares another trap with the help of Aurelie's stepmother Euphemie.