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The films, affairs and struggles of the iconic star of The Blue Angel as told by Rosemary Clooney, Roger Corman, Deanna Durbin and many more.
Street sweeper Sigi finds a box containing not only 300,000 marks, but also a photo of his unsympathetic superior in a compromising situation. Sigi thinks he's in luck, but what he doesn't realize is that an unscrupulous businesswoman wanted to use the money to bribe influential men. And of course she wants her money back. So the good-natured Sigi becomes embroiled in a series of turbulent adventures.
A collage of documentary material, film excerpts and artist interviews shows the role that entertainment played during the Nazi era.
To historians, physicist Lise Meitner deserves to be placed on a par with Einstein, Heisenberg and Otto Hahn. In the 1930s on the verge of World War II, she led a small group of scientists who discovered that splitting the atomic nucleus of uranium releases enormous energy. This extraordinary film tells the story of a woman who was far ahead of her time as a scientist and a pioneer of feminism.
"Did you ever fall in love with me?" - that was how the popular comedian Max Hansen ironically yet endearingly attacked Adolf Hitler as a homosexual. In the late 1920s Hansen was forced to leave Germany. The multi-talented entertainer lost his audience and was never again to be seen on a German stage. His children and many others who were part of his life tell their side of the story about the tragicomic life of the popular artist.
In a fitting tribute to the murder of scores of Jewish artists and performers, the filmmakers meticulously matched audio from pre-war recordings with films and still photographs taken by the Nazis in Westerbork, Theresienstadt, Dachau, and Auschwitz, resurrecting, if only for a brief time, the lives and art of some of Europe¹s best known performers, including Willy Rosen, Max Ehrlich, Kurt Gerron, Die Ghetto-Swingers, Johnny and Jones, Fritz Grünbaum, and Lisl Frank. Dance of Death reveals the underlying pathos of the artists, who lived to perform (and owed their lives to performing), yet were forced to watch as others were lead to their death.
