Acting
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Burdened by troubles and caught between cultures, Riza takes a job as a mall Santa and finds that real life may not be so different from make believe.
“Anlatacaklarım var! Vaaz vermek değil niyetim, duyduğumu söylemek. Söylemeye değer şeyler duyuyorum zira. Belki hayatı daha yaşanır kılmak için ya da belki sade, ama sade anlatmak için... Sen anlat dedi Tanrı bana, anlaşılsın diye değil, hiçbir mükafat istemeden anlat... Çünkü bir mükafattır artık bir anlatıcıya doğru düzgün anlaşılmak! Sen anlat dedi... Sen sade anlat! Umudu hatırlatsın diye umutsuzluğu, çareye yol açsın diye çaresizliği anlat... Ders verme dedi kimseye, çünkü hoca denmez öğrenmesini bitirene. Çırakları olan bir çıraktır usta, olsa olsa... Sen anlat dedi bana Tanrı, sen sade anlat.... “ Yılmaz Erdoğan, “Bana Bir Şeyhler Oluyor” oyununun kahramanı Hilmi Duran’a söylettiği bu sözlerle, yazar olarak neden böyle bir oyun yazmak zorunda kaldığını açıklamakla kalmıyor, aynı zamanda kahramanının da kimliğini ele veriyor.
The story takes place in the small town of Hakkari in Turkey at the beginning of the '70s. The time has come to bring technology to that small town. The first Television (called Visiontele by the citizens) arrives and the chaos begins.
Hüseyin is a young man who lives with his grandfather and grandmother in a village in Thracian Turkey. The two great loves of his life are his clarinet and Müjgan, a nurse. Although Hüseyin is content with his life, with his music and dreams of Mügan, due to an unexpected development he leaves his village. He ends up in Istanbul where he finds support first in his clarinet and then in the friendship of the singer Firuzan. Firuzan is a popular nightclub performer who is eagerly working on an album as she leads a colorful but complicated life. When Firuzan meets Huseyin, the course of events gives away to a hilarious adventure.
Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.
The agent family is this time dragged into an adventure full of leaps in time.
A woman desperately seeking for a man to love. When he finally arrives, she overlooks him.
Zeliha is back: Crazy and candid as ever, and she still gets herself into all sorts of trouble. Seeking love in the first film, Zeliha is now after a career in the sequel, as she dreams of becoming a cook and starts working in a luxury restaurant. Will Zeliha's dreams finally come true, or will the real world break her heart and leave her in disappointment? With heartwarming characters and an entertaining story by Gupse Özay, writer of the films Deliha and Görümce, Deliha 2 will once again leave audiences in laughter. The film also marks Özay's directorial debut.
One of Istanbul's old neighborhoods wakes up to the news of Binnaz Hanım's death. Binnaz is the mother of Birol and Şenol. Shocked by her death, Binnaz Hanım regains consciousness after a while. Hilmi, a fake imam, leads the funeral prayer. Upon seeing that Binnaz Hanım has regained consciousness, Hilmi, Birol, and Şenol decide to rob a bank, taking Eda along with them. They hide the stolen money inside the coffin, disguised as funeral decorations, and set off for the cemetery. The fake imam tries to outsmart his friends and take the money for himself. The four friends, with the mafia hot on their heels, face every possible misfortune.
The story of a husband and wife who deserve it after almost every sentence they utter. This couple is perhaps the purest, most extreme example of the type of people we often see around us—those who should be content with their circumstances but instead are constantly "crying" and "complaining," who should be able to lean back and sigh with relief but instead utter a thousand "ahs" when touched. The husband in this couple is Arif Bey, a wealthy businessman, also known as "Weeping Arif."
A struggling, suicidal young comedian meets a car thief who is willing to teach him a few things about his profession.
The most distinctive feature of this Ferhan Şensoy play, which is performed in a much sharper language than what today's stand-up comedians describe as an interactive game, is that it takes place inside a ship...
