Jorge Fons

Porque el Amor Manda is a 2012 Mexican telenovela produced by Juan Osorio for Televisa. It is a remake of the Colombian telenovela El secretario, produced by Juan Andrés Flórez in 2011. Fernando Colunga and Blanca Soto star as the protagonists Claudia Álvarez stars as the antagonist.

A Mexican telenovela based on the Argentinean telenovela Los Roldán.

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Mi pecado is a Mexican telenovela that was produced by Televisa and aired on Canal de las Estrellas from 15 June 2009 through 13 November 2009. Starring Maite Perroni, Eugenio Siller and as adult protagonist Daniela Castro who is also the main villain. Mi pecado tells the story of young lovers Lucrecia and Julián, who are torn apart by their feuding families following the tragic death of Lucrecia's brother César when the three are just children.

Fernando Lascurain is a wealthy businessman and recent widower, attempting to raise his seven unruly children. He seeks the assistance of a new nanny. He hires and falls in love with Ana Leal, a struggling exotic dancer who tries to hide her double life. Although Ana lacks experience and a refined education, she quickly bonds with the Lascurain children. Ana dreams of being a mother, but when her home is destroyed following an accident, she must borrow money from her ruthless boss at "Chicago", the night club where she is secretly employed. When Fernando simultaneously falls for Ana and Isabela, an economist and sophisticated woman who is trained by her mother to marry a millionaire, he must choose between both women.

Si Dios Me Quita La Vida is a telenovela made by Mexican TV network Televisa. This telenovela was broadcast in 1995. This is a remake of the 1961 telenovela La Leona starred by Amparo Rivelles and Ernesto Alonso.

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Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

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On October 2, 1968, a student uprising descends into violence after the Mexican government begins to use lethal force against the protesters.

Jory is a fifteen-year-old boy who joins a horse-drive after his father is killed by a drunkard. The drive's leader and a likable cowhand take the boy under their wing, and find that tragedy has taught him how to take care of himself better than anyone could expect.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

Love, infidelity and desire are the protagonists of three stories full of entanglements and romance.

After having his genitals brutally mutilated during childhood, a man must face prejudice and himself.

Agapito, leader of the revolutionary movement of his state, comes to a town, kills all the federales, and gets a girl who was promised to him for his heroic deeds.

A gunfighter is appointed sheriff of a town that is terrorized by a gang of criminals.

The inner demons of an aspiring writer, whose dissatisfaction has pushed him to alcohol and drugs, lead him to his self-destruction under the guise of confusing political positions.

Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.

The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transvestite, some years ago, and now calls himself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.

Second of two films that make up the collaborative film "Los Bienamados" (The Beloved, 1965). Claudia, a young aristocratic girl travels to Switzerland to recover the corpse of her brother, Juan Luis. As she flies back home to Mexico, in flashback it is revealed that she and her brother had an incestuous relationship and that she managed to drive his fiance, Claire, to her death... with tragic consequences for all of them.