Acting
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Famous writer Alexander contracts a terminal illness. He receives a letter from his wife describing a summer day 30 years ago, and leaves his seaside home to remember his past. This journey will allow him to wander between the past and the present, and encounter unexpected people, allowing him to collect unforgettable memories in the final moments of his life.
A poetic visit to the city of Athens, based on paintings, poems and philosophical texts.
Following the torpedoing of the destroyer Elli on August 15, 1940 on Tinos by an Italian submarine, war was declared, and the Italians attacked the Albanian front on October 28. From an outpost on the Greek-Albanian border, a military truck unexpectedly comes under fire by Italian tanks. Petros, the only one who manages to escape death or captivity, saves a village girl, Maria. However, the Greeks manage to recapture the machine-gun nest, setting free the soldiers who had been pinned down. The platoon in question puts up a hard fight against the Italian invaders, while, at the same time, the Greek army is preparing for a counter-attack, which doesn't take long to happen. Right after, the Italians are forced to fall back; Northern Epirus is recaptured, and the army of the Badoglio is repulsed from the Adriatic.
Andreas, nephew of the abbot of the Monastery of Dionysios, who died eight years previously, arrives at Agion Oros (Mount Athos) with a team of smugglers of antiquities, with the intention of stealing a gold cross set with precious gems, known as the Cross of Alexander the Great. He earns the trust of the meek and hospitable monks. However, a Jewish girl, Anna - whom, while still a baby during the war, her father had entrusted to the care of the hermit Vasileios - continues to pretend she is a young monk. She manages gradually to discover the entire scheme and acts to foil their plot.
Love, the search for love, the desire for love... Three summers in the bright light of Attica, three sisters in their prime, Maria, Infanta, Katerina. Maria, the eldest, sensual, close to the mysteries of nature, Infanta, fiery but restrained in the face of love, Katerina, thirsty for independence, who chooses the dream. For her, the myth becomes reality, like the mysterious faces of the Polish grandmother and Captain Andreas. Katerina narrates these three summers with imagination, humor and immense tenderness, with a youthful grace that already has a touch of nostalgia.
We are in 1942, in the middle of the German Occupation, on an island opposite the coast of Asia Minor, where a mature woman, Katerina Rodeli, cares for a wounded resistance fighter named Kanaris. In her memory, there are images of the past, the panic of the Asia Minor catastrophe and especially the entrance of the tsets in her village. There she lost her three-year-old son, Konstantin, whom he never ceased to look for. However, the village's mackerel maharagrite handed it over to the Germans and, in the face of the danger, they were arrested along with the wounded and a boat ride on the Turkish coast to find themselves immediately enclosed in a refugee camp. His commander is a tough second lieutenant, Osen, who is bought by the English consulate of Izmir to transfer the fugitives to Egypt.
A U.S. Embassy worker is helped by an Interpol agent to prove herself innocent of a murder in the Greek isles.
Some months before the outbreak of the Greek Civil War three outlaws struggle for survival in the mountains. Directed by Nikos Koundouros.
Alexis is an explosive personality, passionate about life, humanity, nature, love and beauty. That is until the breakneck rhythm, intensity, stress and convolutions of career and economic success shatter him, alienating him from everyone and everything he loves: even his children and his soul mate Maria. Alexis is jolted back to reality when the unbridled greed of the multinational conglomerate his company is involved in causes an unprecedented ecological catastrophe costing many human lives. The multinational's Golden Boy suddenly realizes that he is nothing more than a cog in the machine he had fought so passionately against in his youth. He is determined to rediscover himself, to reclaim his soul, to rebuild the dream with Maria - but he is completely trapped. He is caught in a web of intrigue that tightens like a vice driving him to an inevitably lethal conflict with the conglomerate.
An organ grinder (Orestis Makris) loses his wife from complications during birth. Distraught by her death, he refuses to take care of the baby and gives it to a family (Lavrentis Dianellos and Nitsa Tsaganea) to raise. The child (Jenny Karezi) is raised comfortably, and her natural father is too embarrassed to meet her - until she falls in love with a poor musician (Petros Fysoun), and her foster parents refuse to accept their relationship.
In Vienna 1820, the Manto Mavrogenous encounters a group of Greek students and talk of revolution to be made. Returning to Greece uncle of the initiates at Friendly Society. Madonna sells its dowry and equip their ships and army to help the revolution. Meet the founder of the Friendly Society, Dimitrios Ypsilanti, and builds relationships with him but encounters the objections of the political leaders of the struggle and particularly of Ioannis Kolettis who fears the two young people like to be the first king of the new nation. To break up the uses of beautiful paintings Niki monk who just came from Paris.
In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.
A proud sponge-diver revolts against a cruel noblewoman, who exploits the islanders. When she finds out that her daughter is in love with him, she marries her off to his friend, and now, the knives have the final say. Can reason prevail?
