Petros Fyssoun

Famous writer Alexander contracts a terminal illness. He receives a letter from his wife describing a summer day 30 years ago, and leaves his seaside home to remember his past. This journey will allow him to wander between the past and the present, and encounter unexpected people, allowing him to collect unforgettable memories in the final moments of his life.

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Love, the search for love, the desire for love... Three summers in the bright light of Attica, three sisters in their prime, Maria, Infanta, Katerina. Maria, the eldest, sensual, close to the mysteries of nature, Infanta, fiery but restrained in the face of love, Katerina, thirsty for independence, who chooses the dream. For her, the myth becomes reality, like the mysterious faces of the Polish grandmother and Captain Andreas. Katerina narrates these three summers with imagination, humor and immense tenderness, with a youthful grace that already has a touch of nostalgia.

Alexis is an explosive personality, passionate about life, humanity, nature, love and beauty. That is until the breakneck rhythm, intensity, stress and convolutions of career and economic success shatter him, alienating him from everyone and everything he loves: even his children and his soul mate Maria. Alexis is jolted back to reality when the unbridled greed of the multinational conglomerate his company is involved in causes an unprecedented ecological catastrophe costing many human lives. The multinational's Golden Boy suddenly realizes that he is nothing more than a cog in the machine he had fought so passionately against in his youth. He is determined to rediscover himself, to reclaim his soul, to rebuild the dream with Maria - but he is completely trapped. He is caught in a web of intrigue that tightens like a vice driving him to an inevitably lethal conflict with the conglomerate.

A U.S. Embassy worker is helped by an Interpol agent to prove herself innocent of a murder in the Greek isles.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

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Some months before the outbreak of the Greek Civil War three outlaws struggle for survival in the mountains. Directed by Nikos Koundouros.

A barber owes a lot of money to his landlady, who shows great patience and understanding, hoping that one day he will convince him to marry her.

A poor couple struggles to survive, and the young man, wanting to make a lot of money easily, is lured by a suspicious man who moves in the world of nightlife.

A young man, Jason, is on his way home and meets two beautiful women, Hope and Alexis. He falls for Hope, but has sex with Alexis. He doesn't know that Alexis' husband has hired a private detective to trail her, and the man reports back to Alexis' husband about her affair with Jason. The husband kills Alexis but the police suspect Jason. He and Hope have to clear his name and find enough evidence to prove the husband is the killer.

Two friends, a military and a journalist, after the collapse of the Albanian front, go to Macedonia to organize resistance against the Bulgarians.

Shortly after the revolution of 1821, somewhere in rebellious Greece, Liakos Bournovas wants to marry Fotini, sister of the powerful Panagiotis Notaras. Notaras, in turn, wants Liakos' sister. When Fotini is captured by the bandit Captain Arvanitis, Liakos frees her. His pride makes him refuse the reward offered by Notaras. Notaras, equally proud, sends one of his subordinates to ask for Liakos' sister's hand in marriage. She commits suicide and Liakos swears revenge. In the ensuing conflict, Notaras is wounded and, before dying, admits his love for Liakos' sister, allowing him to marry Fotini.

The secret services of the junta use a resisting captain who is now their prisoner in order to trap some resistance kernels. The conflicting ideological trajectories of people, each representing something specific, are drifting from the whirlpool of history, composing a mosaic of representative heroes of a time.

Andreas, nephew of the abbot of the Monastery of Dionysios, who died eight years previously, arrives at Agion Oros (Mount Athos) with a team of smugglers of antiquities, with the intention of stealing a gold cross set with precious gems, known as the Cross of Alexander the Great. He earns the trust of the meek and hospitable monks. However, a Jewish girl, Anna - whom, while still a baby during the war, her father had entrusted to the care of the hermit Vasileios - continues to pretend she is a young monk. She manages gradually to discover the entire scheme and acts to foil their plot.

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We are in 1942, in the middle of the German Occupation, on an island opposite the coast of Asia Minor, where a mature woman, Katerina Rodeli, cares for a wounded resistance fighter named Kanaris. In her memory, there are images of the past, the panic of the Asia Minor catastrophe and especially the entrance of the tsets in her village. There she lost her three-year-old son, Konstantin, whom he never ceased to look for. However, the village's mackerel maharagrite handed it over to the Germans and, in the face of the danger, they were arrested along with the wounded and a boat ride on the Turkish coast to find themselves immediately enclosed in a refugee camp. His commander is a tough second lieutenant, Osen, who is bought by the English consulate of Izmir to transfer the fugitives to Egypt.

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