Tibor Klöpfler
Camera
Known For

On 27th July 1986, British stadium rock band Queen broke new ground by playing for the first time in Hungary, a country which was still under a communist dictatorship behind the Iron Curtain.
Queen: Hungarian Rhapsody - Live in Budapest '86

Based on Shirley Jackson's eerie short story The Summer People.
Zizi

Helén and Jenö are waiting for a child and are desperately searching for an accomodation. They eventually sign a contract with an old lady, Szeréna, who lives in a two-family house. According to the contract, they are to pay a moderate rent and they have to take care of her until her death. After the first weeks, Szeréna accuses the couple of trying to poison her and builds a chicken coop on the balcony with the aim of living off the eggs she herself gathers.
Cruel Estate

An agent, sent to solve the secret of the lives of those who have a daily routine, wishes to be a part of them. After revealing the secret - that the whole world is a projected image - he enters this dream-reality.
The Mole

Three people live together without having anything to do with each other. The macho father used to have a shooting gallery which he had to sell. Yet secretly, he keeps on dreaming about it.
Shooting Gallery

Director Janos Xantus was in the middle of making a video about Hungarian rock star Tamas Pajor when his subject suddenly became a convert to born-again Christianity. As a result, Xantus was able to record the startling transition. Pajor had been a hell-bent rocker, heavily into drugs, and known for a violent temper. We see him become a clean-living, clean-cut youth who sings about Jesus. Xantus had captured pre-conversion tape of Pajor trashing a hotel room and punching his hand through a plate glass window. In one of this film's most effective scenes, the new Pajor, hand heavily bandaged, quietly watches this footage. Rock Terito also has some dramatic recreations, but these add little to our understanding of Pajor. The transfer from video to film was generally effective, but some scenes are murkily lit. ~ Clarke Fountain, Rovi
The Rock Convert

Miklos, a magazine photographer, has a hard time finding the girl of his dreams. But in the summer of 1992 in Budapest, he meets Dora at a club and feels a strange attraction to her. But he feels no compulsion in pursuing the relationship. They meet more by chance than by design.
No Girl Ever Had This Effect on Me

No description available.
A holnap érdeklődés hiányában elmarad
Documentary discussion with actress Kathleen Gáti as she recalls the eight months she spent tending to her mother dying of cancer.
A színésznő és a halál

Lipstick strives to depict the inner conflicts of the protagonist Vesna as subjectively as possible. Vesna, apparently unmoved by the armed conflicts in her homeland Yugoslavia, leads a happy-go-lucky life. A form of denial, the causes of which should be explored. Her visit in Budapest and therefore her compromise with her possibly true, though repressed, identity, evokes a feeling of happiness for a short time. The next morning, reality catches up with her again. She is taken off the train and is forced, since her passport and Austrian visa have both expired, to assume a new identity. Despite the futility of her undertaking, she refuses to make a statement concerning her person while in jail. What remains is the memory of a short-lived feeling of emotional success by delaying the course of events. The suggestion to consider a denial while in a condition of statelessness.
Lipstick

The documentary was shot in the prison for juvenile delinquents in Hungary. It does not aim at judging whether the perpetrators were convicted rightly or not but, given the burden they carry, how they can reintegrate into society after they are released.
The Fallen

Bizarre film which portrays the strange adventures of two good friends, Tamás and Csaba, in a non-specific time and place. Tamás, a Mozart lover, and the trumpeter Csaba, who can no longer speak after a suicide attempt, communicate in an unintelligible, unusual meta-language, which a monk interprets for the viewer.
The Man Without an Abode

Events come through medieval haze in a fantozmagorik city. Under the rocky roofs and the murky wall a frightening mixture of wildlife with fragile hatreds with renewed love of death. Metaphors have to say that power abuse has the same essence but different performances.