Sebastián Pappalardo

Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.

In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.

A 14-year-old upper-class girl keeps the painful secret of being sexually abused by her stepfather throughout her childhood. Manuela will rebel and begin a process that lead her to move forward.

Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.

After running into something with her car, Vero experiences a particular psychological state. She realizes she might have killed someone.

After a head injury makes a dimwit stranger out Barbara's beloved Guille, she ceases to feel desire for him. Nearing 35, and longing for motherhood, she settles with a new partner, while the memory of lost love harrows her.

Mater is a film about the struggle between love and law; about social differences and distances that these generate. And about love, that crosses all, allows all: both good and evil.

After reading in the newspaper that a newborn baby was found in a dumpster, a teacher becomes obsessed with giving it a proper burial.

Salvador moves to London from Chile to study English and travel around Europe at his parents’ expense. He stays with his aunt María, who makes a rather decent living renting the rooms of her house to other immigrants. Difficult and challenging situations will force Salvador out of his protected bourgeois reality and into the real world.

Bethânia returns to her land, where the family’s old sugar mill was built, the Wanderley Mill. Between photographs, fantastic creatures, bills to pay and workers claiming their rights to the land, Bethânia faces herself in a present where both the past and the future look menacing.

Pancho Veloso, an old writer of celebrity articles, returns to his hometown of Chilean Patagonia after more than 40 years of having fled. When trying to write "salable" stories about that area so called "the end of the world", he will face his past and leave his imposture.

Bruno is an architect who has a perfect life: A nice family and a good job. Anyway, Bruno has a deep sense of unease. He decides to leave his wife to be alone and have time to find him self. A business man offers him to build an iconic landmark in Santiago city. Motivated by this professional challenge, Bruno feels he can find a twist in his life by a vocational route. He start working with a young history teacher named Fer who is agile, energetic, captivating and gay. Starts between them an unexpected and intense romance. At this point he must decide his path. The biggest learning: simplicity is the best way to get up again.

The comedian Timoteo is the leader of a cross-dresser circus that has toured through Chile for forty years. Today his advanced age and health are reason for concern regarding the continuity of the show.

The film traces the origins of the Chilean band band Los Prisioneros from the perspective of the drummer Miguel Tapia. Set in the Late 70's, during Pinochet's military dictatorship.

Gerardo was never detached from his mother. So when he presented his first girlfriend, the gorgeous model Ana Verónica, the mother will do everything possible to get rid of her.

In the midst of the battle between a humble technical center and a powerful university for the award to build a robot to Chile, love arises.

The villagers of El Dorado, Argentina, shy away from doctors. Then again, they hardly need one. They have almost as many cures for ailments and illnesses as there are residents in the village. 65 year old Jorge can also cure the most dreaded ailment of them all, the much feared espanto.

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.

More than sixty years after leaving high school, former classmates Alicia, Gema, Angelica, Ximena and Maria Teresa are still devoted to their regular catch-ups in which they exchange gossip and reminiscences over elaborately presented afternoon teas. Impeccably turned out, the ladies’ free-wheeling tea-time chats run the gamut from mortality and marital infidelity to soccer and twerking.

A 14-year-old skeptical young man one day discovers that everything he knows about his father is a lie.