Ludger Blanke

A woman faces a variety of emotional crises as she spends the summer interacting in various ways with friends, family, and lovers.

A look at how mall producers design malls in order to maximise traffic and sales.

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Theres and Kenneth are both young when they first meet whilst on holiday. They fall in love but are unable to prevent themselves from losing each other. Thirty years later, in another country, another couple: Ariane leaves her husband David because she no longer loves him. The paths they both take lead them to Kenneth and Theres.

The revolution is as good as over, but the captain wants to send his crew into one last battle. Before this can happen, however, he is murdered. The crew is finally free. Meanwhile, the revolutionary Snow White has hidden on the ship, but she is discovered.

Jo Kondo (*1947) is one of the most interesting composers of contemporary music in Japan. His music is composed intuitively and at the same time it is highly abstract. Without clear directionality and at the same time not without form. For a Japanese audience it sounds “Western” and in the West it is regarded “Japanese”. A music in between categories. Like Kondo’s music the film is shifting between places and directions: a concert in the Muziekgebouw in Amsterdam, an elaborate sushi bar in Tokyo, a CD-production in a Cologne radio station, the Zuisenji temple in Kondo’s neighborhood in Kamakura. Kondo wants his music to appear “normal”, without spectacular surface or narrative elements. A concept of “normality” you may also find in the films of Japanese filmmaker Yasujiro Ozu, who – like Kondo – spent most of his life in Kamakura.

Tragic story about two men, one searches for gold, the outher is a photographer.

Portraits of students of Berlin Film School.

Experimental short about architectural structures in Berlin.

Documentary on journalism in Berlin.