Francis Lederer

Robert Montgomery Presents is an American dramatic television series which was produced by NBC from January 30, 1950 until June 24, 1957. The live show had several sponsors during its seven-year run, and the title was altered to feature the sponsor, usually Lucky Strike cigarettes, for example, Robert Montgomery Presents Your Lucky Strike Theater, ....The Johnson's Wax Program, and so on.

Mission: Impossible is an American television series that was created and initially produced by Bruce Geller. It chronicles the missions of a team of secret government agents known as the Impossible Missions Force. In the first season, the team is led by Dan Briggs, played by Steven Hill; Jim Phelps, played by Peter Graves, takes charge for the remaining seasons. A hallmark of the series shows Briggs or Phelps receiving his instructions on a recording that then self-destructs, followed by the theme music composed by Lalo Schifrin. The series aired on the CBS network from September 1966 to March 1973, then returned to television for two seasons on ABC, from 1988 to 1990, retaining only Graves in the cast. It later inspired a popular series of theatrical motion pictures starring Tom Cruise, beginning in 1996.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

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An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

Rod Serling narrates an anthology of fantasy, horror and sci-fi stories from a set resembling a macabre museum. A chilling work of art serves as the connective link between the stories.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

That Girl is an American sitcom that ran on ABC from 1966 to 1971. It stars Marlo Thomas as the title character Ann Marie, an aspiring actress, who moves from her hometown of Brewster, New York to try to make it big in New York City. Ann has to take a number of offbeat "temp" jobs to support herself in between her various auditions and bit parts. Ted Bessell played her boyfriend Donald Hollinger, a writer for Newsview Magazine; Lew Parker and Rosemary DeCamp played Lew Marie and Helen Marie, her concerned parents. Bernie Kopell, Ruth Buzzi and Reva Rose played Ann and Donald's friends. That Girl was developed by writers Bill Persky and Sam Denoff, who had served as head writers on The Dick Van Dyke Show earlier in the 1960s.

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Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

Behind Closed Doors is an American drama series set during the Cold War hosted by and occasionally starring Bruce Gordon in the role of Commander Matson. The series, which aired on NBC from October 2, 1958, to April 9, 1959, focuses, among other themes, on how the former Soviet Union stole American missile secrets and proposes steps to prevent further espionage. Behind Closed Doors is based on the files and experiences of Rear Admiral Ellis M. Zacharias, who offers comments at the end of each segment. Behind Closed Doors, a Screen Gems production, replaced Jackie Cooper's sitcom The People's Choice, followed the NBC quiz show, Twenty-One, and preceded the The Tennessee Ernie Ford Show. Its competition was The Pat Boone Chevy Show on ABC and Dick Powell's Zane Grey Theater western anthology series on CBS.

A U.S. double agent in WWII Germany infiltrates Nazi councils while evading Allied intelligence (publicly, he was a foreign correspondent who had renounced his American citizenship). Three episodes of the series were stitched together into the 1966 theatrical movie 'I Deal in Danger.'

Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.

Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.

For Capt. Robert John Evans, smuggling black-market goods is nothing out of the ordinary. But one day he's hired by Aristides Mavros for a more involved assignment -- sneaking an imprisoned American out of communist-controlled territory. The job seems challenging enough, but when he meets the prisoner's sultry wife, Sylvia, he realizes his mission comes with a startling catch: Not only must he rescue this man, he must bring him back from the dead.

A firefighter is sent to Venezuela to battle a blazing oil well but still finds time for romance.

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

Violet Barton, a femme-fatale goal-setter, fascinates men and readily returns their affection to obtain the wealth she desires, even to the point of bigamy. She has an affair with gambler Gregg Delaney but marries his best friend, Johnny Hale, when she discovers Hale is the richest man in Texas. This loses her the respect of her sister, Janet, who loves Hale, and Delaney, who loves Violet. Meanwhile, town sheriff Bill Howard is working hard to get Delaney to confess to a murder.

Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity?